ROUGHLY EDITED FILE TECHNOLOGY ACCESSIBILITY MEETING NOVEMBER 9, 2010 CENTENNIAL BUILDING, BLAZING STAR CONFERENCE ROOM 2:00 - 4:10 P.M. CART PROVIDED BY: ANGIE SUNDELL, RPR, CRR, CBC, CCP PARADIGM REPORTING & CAPTIONING INC. 1400 RAND TOWER 527 MARQUETTE AVENUE SOUTH MINNEAPOLIS, MINNESOTA 55402-1331 * 612-339-0545 * 800-545-9668 * FAX: 612-337-5575 * * * * * THIS FILE IS BEING PROVIDED IN A ROUGH-DRAFT FORMAT. COMMUNICATION ACCESS REALTIME TRANSLATION (CART) IS PROVIDED IN ORDER TO FACILITATE COMMUNICATION ACCESSIBILITY AND MAY NOT BE A TOTALLY VERBATIM RECORD OF THE PROCEEDINGS. * * * * FOR INFORMATIONAL PURPOSES ONLY >> GOOD AFTERNOON, EVERYBODY. WE'RE GOING TO KICK THIS OFF. WELCOME TO EVERYONE. I'M MOLLY EMMING, I'M WITH FREDERICKSON COMMUNICATIONS. WE HOLD THESE INTERSECT MEETINGS QUARTERLY, AND I KNOW THAT THERE ARE SEVERAL OF YOU THAT ARE HERE FOR THE FIRST TIME, SO I JUST WANT TO DO A QUICK INTRODUCTION ABOUT FREDERICKSON AND ABOUT INTERSECT. OVER THE PAST TEN YEARS OR SO, OUR WORK WITH THE STATE, COUNTY AND CITIES HAVE BEEN PRIMARILY WITH USABILITY AND WEB ANALYSIS AND DESIGN AND AS WE WERE WORKING WITH THESE TEAMS, WE SAW A NEED TO HELP COMMUNICATIONS AND TECHNOLOGY PEOPLE CONNECT. WITH A LOT OF INFORMATION BEING PUT OUT ON THE WEB RATHER THAN ON PAPER OR OTHER FORMS OF MEDIA. SO ABOUT THREE YEARS AGO, AS A PART OF FREDERICKSON'S MISSION TO SHARE INFORMATION, WE STARTED THE INTERSECT GROUP. ABOUT SIX MONTHS AGO, WE ALSO STARTED AN INTERSECT GROUP ON LINKEDIN AND THERE YOU CAN CONTINUE DISCUSSIONS THAT START IN THIS ROOM TODAY OR YOU CAN START NEW ONES, ASK QUESTIONS, GET ADVICE FROM YOUR PEERS, WHATEVER YOU WANT TO TALK ABOUT IS COMPLETELY FINE. THERE'S NO FEE FOR INTERSECT MEMBERSHIP. WE JUST ASK THAT YOU PERIODICALLY STEP FORWARD TO SPEAK, LIKE TANYA IS DOING TODAY. OR TO PROVIDE MEETING SPACE BECAUSE WE REALLY RELY ON THE VOLUNTEERS TO DO THIS. THIS IS COMPLETELY BUDGET-FREE GROUP. AND AS FAR AS TODAY'S MEETING IS CONCERNED, AS YOU KNOW FROM THE INVITATION, TANYA BELANGER IS A SENIOR PROJECT CONSULTANT WITH THE OFFICE OF ENTERPRISE TECHNOLOGY. SHE'S WORKING ON THE IMPLEMENTATION OF THE NEW TECHNOLOGY ACCESSIBILITY STANDARDS, WHICH I KNOW YOU'RE ALL WELL AWARE OF. SHE'LL BE GIVING US AN INTRO TO CREATING ACCESSIBLE DOCUMENTS AND PRESENTATIONS. THISSIVE TO SAY, IS OUR MOST POPULAR SESSION TO DATE. WE HAD ABOUT ANOTHER 20 OR 25 PEOPLE THAT WANTED TO BE HERE TODAY, AND I'M GLAD THAT TANYA WILL BE DOING SOME ADDITIONAL SESSIONS SO THAT OTHERS CAN GET THIS INFORMATION FROM HER. WE'LL END PROMPTLY AT 4:00. BUT TANYA CAN STAY UNTIL ABOUT 5:00 TO ANSWER ANY ADDITIONAL QUESTIONS, HELP WITH ANY PRACTICE THAT YOU WANT TO DO. WE HAVE A LAB -- OH. [ DOGS GROWLING ] WE HAVE A LAB RESERVED NEXT DOOR SO YOU CAN ACTUALLY PRACTICE IF YOU LIKE. WHAT'S THE NAME OF THAT ROOM, TANYA. >> Tanya: RIGHT HERE, THE LOON ROOM. >> OKAY. THE LOON ROOM. I WANT TO ASK EVERYBODY TO PLEASE SPEAK UP WHEN YOU'RE ASKING QUESTIONS AND HAVING DISCUSSION, WITH THE VARIOUS FORMS OF COMMUNICATION WE HAVE IN THE ROOM, WE HAVE TO MAKE SURE THAT WE GET EVERYTHING DOCUMENTED, EVERYTHING OUT THERE SO THAT EVERYBODY CAN UNDERSTAND WHAT'S BEING SAID. AND, LAST BUT NOT LEAST, WE HAVE SOME CARDS THAT SHOW THE VARIOUS DATES OF OUR 2011 INTERSECT MEETINGS AND WHAT THIS GROUP IS ALL ABOUT. THEY'RE BACK ON THE TABLE BY THE NAME TAGS, IF YOU WANT TO GRAB ONE ON THE WAY OUT IF YOU'RE INTERESTED IN MARKING YOUR CALENDARS, PLEASE DO. AND BIG THANK YOU TO TANYA. WITH THAT, I'M PASSING IT OVER. [ APPLAUSE ] >> Tanya: HELLO. GOOD AFTERNOON. AND THANK YOU SO MUCH FOR COMING TO O.E.T. TODAY FOR THIS MEETING. WE'RE GOING TO HAVE A PRESENTATION ON ACCESSIBILITY, AND THE FOCUS OF THE DAY IS REALLY TALKING ABOUT DOCUMENTS. AND I'D REALLY LIKE TO NARROW IT DOWN TO WORD DOCUMENTS. P.D.F.s, WHILE THEY'RE AN ISSUE AND WE CAN TALK ABOUT THAT IN OUR DISCUSSION AS FAR AS A LOT OF THE INFORMATION THAT I'M GOING TO PRESENT TODAY, I'M NOT GOING TO GO SO MUCH INTO P.D.F.s, SIMPLY BECAUSE, LIKE I BET YOU GUYS ALREADY KNOW, FROM YOUR WORK EXPERIENCE, IT'S COMPLICATED TO MAKE IT ACCESSIBLE P.D.F. AND I THINK IT'S REALLY IMPORTANT THAT WE UNDERSTAND THE BASICS BEFORE GETTING INTO THE OTHER DETAILS. JUST FOR A QUESTION, HOW MANY PEOPLE IN THE ROOM HAVE ALREADY STARTED TO TRY TO FIGURE OUT HOW TO CREATE ACCESSIBLE DOCUMENTS? EXCELLENT. SO, HOW ARE THINGS WORKING? CHALLENGING? IS IT SOMETHING THAT IS PRETTY EASY FOR YOU GUYS TO DO, YOU'RE FINDING GOOD RESOURCES? OR ARE THERE ANY MAJOR ISSUES THAT YOU'RE RUNNING INTO THAT YOU'D LIKE TO JUST SHARE UP FRONT? ANYONE? >> I THINK ONCE YOU KNOW WHAT YOU NEED TO KNOW, IT'S EASY. BUT THE PROBLEM IS GETTING TO KNOW WHAT YOU NEED TO KNOW. BECAUSE YOU DON'T KNOW WHAT YOU DON'T KNOW UNTIL YOU KNOW THAT YOU DON'T KNOW IT. [ Laughter ] >> Tanya: I AGREE. OKAY. SO, WITH THAT IN MIND TODAY, AGAIN, MY EMPHASIS, WHAT I'M GOING TO PRESENT IS MORE SO ON THE KIND OF SOME OF THE INFORMATION THAT YOU NEED TO KNOW TO DO DOCUMENTS, WHAT I'VE KIND OF COME TO FIND AS THE CORE PRINCIPLES TO THINK ABOUT WHEN YOU'RE DOING DOCUMENTS. AND I'VE INVITED SOME GUESTS TODAY TO -- WE'RE GOING TO HAVE A QUICK LITTLE INTRODUCTION FROM A COUPLE OF PEOPLE WITH DISABILITIES WHO USE DOCUMENTS EVERY DAY TO DO THEIR PROFESSIONAL WORK. AND I'M HOPING THAT THEY'LL SHARE WITH YOU HOW THEY USE DOCUMENTS AND WHY IT'S SO IMPORTANT FOR THEM TO HAVE DOCUMENTS THAT ARE ACCESSIBLE SO THAT THEY CAN DO THEIR WORK AS EFFICIENTLY AND EFFECTIVELY AS ANY OTHER PERSON. AND, ALSO, AT THE END, WE'LL HAVE A PANEL DISCUSSION. I'M HOPING TO HAVE A REALLY GOOD DIALOGUE. I'VE INVITED COLLETTE JOHNSON HERE. I UNDERSTAND SHE'S BEEN PART OF THIS GROUP FOR A WHILE. AND -- WELL, DO YOU WANT TO INTRODUCE YOURSELF? AND I'VE ALSO INVITED KEN RODGERS FROM THE DEPARTMENT OF EMPLOYMENT AND ECONOMIC DEVELOPMENT. AND JAMIE TAYLOR, FROM THE DEPARTMENT OF HUMAN SERVICES. SO, IF YOU GUYS WANT TO JUST GO AHEAD AND INTRODUCE YOURSELF A LITTLE BIT ABOUT YOURSELF. I SUPPOSE YOU MIGHT WANT TO COME UP TO THE PODIUM, UNLESS YOU WANT TO TALK REALLY LOUD. AND JUST ANOTHER REMINDER, ANGIE IS OUR CART PROVIDER TODAY, AND IN ORDER FOR HER TO TYPE WHAT WE'RE SAYING, SHE NEEDS TO HEAR US. SO, PLEASE SPEAK LOUD. >> Collette: I'M COLLETTE JOHNSON WITH MINNESOTA MANAGEMENT AND BUDGET. AND I'M THE WEB DEVELOPER THERE. AND WE'VE TAKEN ACCESSIBILITY QUITE SERIOUSLY IN OUR AGENCY AND DOING A LOT OF TEACHING AND TRAINING STATEWIDE WITH SOME OF THE AGENCIES INVOLVED. I DON'T KNOW WHAT ELSE TO SAY. THAT'S ABOUT ALL. >> Tanya: OKAY. THANKS, COLLETTE. KEN. >> Ken: THANKS. GOOD AFTERNOON, EVERYBODY. SORRY FOR BEING LATE. AND KIND OF BEING INTERRUPTING THERE. AGAIN, I'M KEN RODGERS, I'M FROM THE DEPARTMENT OF EMPLOYMENT AND ECONOMIC DEVELOPMENT. I WORK FOR VOCATIONAL REHABILITATION SERVICES. OBVIOUSLY ACCESSIBILITY IS REALLY IMPORTANT TO ME. SO, I'VE BEEN VERY INTERESTED IN PRODDING THIS PROCESS ALONG AS BEST I CAN AND TRYING TO SUPPORT IT AS BEST I CAN, SO HOPEFULLY TODAY I'LL BE ABLE TO SHOW YOU WHY ACCESSIBILITY IS SO VITALLY IMPORTANT, ESPECIALLY FOR PEOPLE LIKE ME WHO USE ASSISTIVE DEVICES AND SCREEN READERS AND DON'T HAVE ANY OTHER CHOICE. SO, THANK YOU. >> Tanya: THANKS, KEN. >> Jamie: HI. MY NAME IS JAMIE TAYLOR. AND I WORK WITH THE COMMISSION OF DEAF, DEAFBLIND AND HARD OF HEARING MINNESOTANS. THAT'S IN THE DEPARTMENT OF HUMAN SERVICES. AND I'M THE PUBLIC POLICY ANALYST. AND I FOCUS ON TECHNOLOGY, TRANSPORTATION, AND VOTING AND ALSO PARTICULARLY ANY ISSUES RELATED TO INDIVIDUALS WHO ARE DEAFBLIND. I AM DEAFBLIND MYSELF. SO, I LOOK FORWARD TO SEEING AND HELPING YOU UNDERSTAND DOCUMENT ACCESSIBILITY. AND WHERE I COME FROM IN THE WHOLE PERSPECTIVE. >> Tanya: THANK YOU SO MUCH, GUESTS, FOR INTRODUCING YOURSELVES. AND I JUST WANT TO LET THE AUDIENCE KNOW THAT DIALOGUE IS REALLY IMPORTANT, AND THAT'S WHY I INVITED THEM TO COME HERE. I KNOW THAT YOU GUYS HAVE A LOT OF QUESTIONS. TRUST ME, I GET A LOT OF E-MAILS FROM PEOPLE WHO HAVE QUESTIONS ABOUT THIS TOPIC, AND I WORK WITH WORK GROUPS WHICH I COMPLETELY INVITE YOU TO PARTICIPATE, IF YOU'RE INTERESTED. WE'RE TRYING TO FIGURE OUT HOW TO BEST HELP AGENCIES COME UP WITH IMPLEMENTATION PLANS ON HOW TO ADDRESS INCORPORATING ACCESSIBILITY INTO THEIR AGENCIES. THAT'S PRETTY MUCH THE NEXT STEP. AND, AGAIN, I SAY, I REALLY WELCOME ANY ONE OF YOU GUYS TO JOIN AND SHARE WHAT YOU GUYS HAVE DONE TO TAKE STEPS IN IMPLEMENTING AT YOUR AGENCY. SO, AGAIN, SO WE MIGHT AS WELL MOVE ON. AND PRETTY MUCH MY PLAN WAS AN OVERVIEW ABOUT TECHNOLOGY ACCESSIBILITY, DOCUMENT ACCESSIBILITY, WE'LL HAVE A PANEL DISCUSSION, AND OPTIONAL PRACTICE LAB AT THE END OR JUST HAVE MORE OF A DISCUSSION, IF YOU HAVE SOME MORE QUESTIONS, YOU WANT TO STAY LATER, THAT'S FINE. SO, BEFORE WE START, I REALLY WANT TO HAVE US ALL BE ON THE SAME PAGE BECAUSE WHAT I OFTEN HEAR IN MEETINGS OR WHENEVER NEW PEOPLE JOIN IN MEETINGS, THEY QUICKLY FIND OUT IS THAT OFTEN PEOPLE REFER TO IT AS THE A.D.A. LAW, YOU KNOW, A.D.A. FOR THE WEBSITES OR SOMETHING LIKE THAT. AND WHILE THE A.D.A., THE AMERICANS WITH DISABILITIES ACT, DOES -- IS IMPORTANT AND YOU PROBABLY KNOW ON YOUR WEBSITES WHERE YOU SAY, IF YOU NEED AN ALTERNATIVE VERSION, CONTACT THIS PERSON, THAT'S PRETTY MUCH A REQUIREMENT OF THE AMERICANS WITH DISABILITIES ACT. AND WHAT WE'RE PROPOSING HERE IS SOMETHING SOMEWHAT DIFFERENT, WHICH IS TECHNOLOGY ACCESSIBILITY, LIKE ACCESSIBILITY STANDARDS. AND WE'VE NOW AT THE STATE -- SO, WHEN I TALK ABOUT ACCESSIBILITY, I'M GOING TO REFER TO THAT AS THE TERM THAT'S LIMITED TO MINNESOTA TECHNOLOGY ACCESSIBILITY STANDARDS FOR OUR PURPOSES. WHEN YOU HEAR PEOPLE TALK ABOUT USABILITY OR AT LEAST IN MY EYES, I SEE THAT AS SOMETHING MORE BROAD AND MORE ENCOMPASSING, AND WHILE THERE'S A LOT OF PRINCIPLES WITHIN USABILITY THAT ARE VERY IMPORTANT FOR PEOPLE WITH DISABILITIES TO ACCESS INFORMATION, THERE'S JUST A LINE BETWEEN THE ACCESSIBILITY STANDARDS AND THEN USABILITY IS ABOVE AND BEYOND THAT. WE SHOULD ALWAYS STRIVE FOR MORE USABILITY, BUT I WANT TO DRAW THOSE TWO LINES CLEARLY SO THAT YOU KNOW WHAT WE'RE TALKING ABOUT. AND THEN THERE'S ANOTHER TERM THAT YOU OFTEN HEAR ABOUT, WHICH I WAS REFERRING TO IS WHEN YOU SEE ON WEBSITES, THEY SAY, IF YOU NEED AN ALTERNATIVE VERSION, THAT'S AN ACCOMMODATION. AND, AGAIN, THAT'S BY THE AMERICANS WITH DISABILITIES ACT AS A REASONABLE ACCOMMODATION, CREATE AN ALTERNATIVE FORMAT. AND EVEN IF WE DO HAVE 100% ACCESSIBLE WEBSITES WITH CONTENT ON THEM THAT IS ACCESSIBLE, THE DOCUMENTS OR THE P.D.F.s, THERE ARE ALWAYS -- THERE ALWAYS IS THE OPPORTUNITY AND THE RIGHT FOR AN INDIVIDUAL TO REQUEST AN ALTERNATIVE VERSION, WHICH WOULD BE CALLED AN ACCOMMODATION. SO, I WANT TO MAKE THAT DISTINCTION BECAUSE A.D.A. DOESN'T EVER GO AWAY, BUT WE ARE LOOKING AT ACCESSIBILITY OF THE SITE OR ANY APPLICATION AND ALSO THE THINGS THAT ARE POSTED TO IT. I CALL THEM ITEMS, BUT THE CONTENT, WHICH COULD BE DOCUMENTS OR EVEN VIDEO, PODCASTS, ANYTHING LIKE THAT. IS THAT CLEAR TO EVERYONE IN THE AUDIENCE? OR DID YOU KIND OF THINK THAT THEY WERE KIND OF CONNECTED OR SOMEHOW CONNECTED BUT MAYBE ONE IN THE SAME? JUST CONNECTED, RAISE OF HANDS, IF YOU THOUGHT THAT THEY WERE PRETTY MUCH ONE IN THE SAME. BECAUSE MOST PEOPLE DO. I THINK THAT MY EXPERIENCE IN THIS PROJECT FOR THE LAST YEAR IS THAT PRETTY MUCH ALMOST EVERYBODY HAS THOUGHT THAT THEY'RE ONE IN THE SAME. BUT IT LOOKS TO ME LIKE THIS AUDIENCE IS ALREADY MORE KNOWLEDGEABLE. SO, YOU KIND OF UNDERSTAND THOSE NUANCES BETWEEN THE TWO. MOLLY. >> SOME OF US GOT THAT INFORMATION FROM RENA ROGERS AT THE LAST SESSION. >> Tanya: RIGHT. OKAY. OKAY. >> OTHERWISE IT WOULD BE CONFUSING. >> Tanya: CAN WE JUST GET A RAISE OF HANDS OF HOW MANY PEOPLE ARE NEW, WEREN'T AT THE LAST MEETING, WHERE RENA GAVE A INTRODUCTION. SO THERE IS A HUGE NEW AUDIENCE. EXCELLENT. CAN I GET A RAISE OF HANDS IF THE IDEA OF ACCESSIBILITY IS NEW? NOT A.D.A., THE ALTERNATIVE VERSION, BUT THE IDEA OF ACCESSIBILITY STANDARDS AND DOCUMENT ACCESSIBILITY. IS THAT NEW TO ANYBODY? OR YOU'RE PRETTY WELL -- EXCELLENT. WELL, YOU'RE THE PERFECT AUDIENCE BECAUSE YOU MUST BE ALREADY HAVING TO DO THIS FOR YOUR WORK ANYWAY. OKAY. SO, I ALSO WANTED TO JUST ALSO COVER THE TYPES OF POLICIES THAT ARE BEHIND THE MINNESOTA ACCESSIBILITY STANDARDS. AND WANT TO BE CLEAR HERE THAT THE POLICIES TODAY APPLY TO STATE AGENCIES ONLY. IT LOOKS TO ME LIKE THERE'S OTHER GOVERNMENTAL TYPE ENTITIES HERE. AND MAYBE YOUR OWN, IF YOU'RE LIKE WITH THE UNIVERSITY, YOU HAVE YOUR OWN POLICIES ON ACCESSIBILITY. HOW MANY ARE FROM STATE AGENCIES ONLY? OKAY. SO, THERE'S A LOT OF PEOPLE. OKAY. SO, IT DEFINITELY APPLIES TO YOU. SO, IN 2009, THE STATE LEGISLATURE PASSED A LAW THAT SAYS WE SHOULD INCORPORATE -- [ DOG CRYING ] -- ACCESSIBILITY STANDARDS. AND, SO, IT DIDN'T SPECIFICALLY SAY WHAT THOSE STANDARDS WERE, BUT THEY SAID, WE'D LIKE YOU TO INCORPORATE SECTION 508 AND ALSO THE WEB CONTENT ACCESS GUIDELINES. AND WHILE IT SAID THAT IN THE LEGISLATION, THERE HAS BEEN AN ENTIRE PROCESS GOING ON OF EXPERTS AT THE STATE, SOME IN THIS ROOM, REVIEWING THE STANDARDS AND MAKING DECISIONS ON WHICH ONES OF THEM ARE FEASIBLE AND DOABLE FOR THE STATE AND, SO, THEY'VE COME UP WITH A LIST. AND IT'S BEEN A LONG ONGOING PROCESS FOR REALLY, LIKE, THE LAST NINE MONTHS. AND IT'S GOING TO BE REVISED. BUT THEY'VE COME UP WITH A LIST, A SET OF LIST OF STANDARDS. AND NOW O.E.T. HAS PUBLISHED THAT LIST OF ACCESSIBILITY STANDARDS. AND WHILE THEY'RE EFFECTIVE AND FOR THE MOST THEY'RE EFFECTIVE IMMEDIATELY BECAUSE WE NEED OUR CONTRACTS TO INCORPORATE THEM RIGHT AWAY FOR ALL OF OUR PROCUREMENT ACTIVITIES BECAUSE IT REALLY IMPACTS PROCUREMENT IN A MAJOR WAY, BUT FOR AGENCIES, THEY NEED TO DEVELOP SOME WAY OF IMPLEMENTING ACCESSIBILITY WITHIN YOUR AGENCY. CAN I GET ANOTHER RAISE OF HANDS IF YOUR AGENCY HAS STARTED TO COME UP WITH AN IMPLEMENTATION PLAN OR A WAY TO APPROACH INCORPORATING ACCESSIBILITY AT YOUR AGENCY LEVEL? SO, A FEW. NOT MANY. SO, I EXPECTED THERE'S A FEW, AND IT'S POSSIBLE THAT THE FEW MIGHT ALREADY HAVE BEEN IN THE PROCESS OF FIGURING OUT HOW TO DO ACCESSIBILITY SIMPLY BECAUSE THEY RECEIVE FEDERAL FUNDS. FOR EXAMPLE, IF YOU'RE THE DEPARTMENT OF HUMAN SERVICES AND YOU GET A LOT OF FUNDS FROM THE FEDERAL GOVERNMENT, THE FEDERAL GOVERNMENT HAS BEEN REQUIRING THIS FOR OVER TEN YEARS. SO, WHILE IT HASN'T BEEN ALL THE WAY -- COMPLIANCE HAS NOT BEEN REACHED ALL THE WAY EVEN OVER THESE TEN YEARS, BUT IT HAS TRICKLED DOWN AND YOU WILL SEE AGENCIES WHO HAVE ALREADY BEEN LEARNING THIS AND DEVELOPING -- IMPLEMENTING IT WITHIN THEIR AGENCIES. SO, THE GOOD THING IS, I AM WORKING WITH A LOT OF THE PEOPLE WHO ARE AND LEARNING FROM THEM. AND I'M WORKING ON DEVELOPING SOME GUIDELINES. I'M ALSO AVAILABLE TO HELP YOU AT THE AGENCIES TO HELP DEVELOP YOUR OWN PLANS. SO, THAT'S A PROCESS THAT WE'LL BE WORKING ON OVER TIME. AND THIS REALLY DOES TAKE TIME. SO, LIKE I SAY, I HAVE IN MY SLIDE HERE, AGENCIES STILL NEED TO DEVELOP INTERNAL POLICIES ON HOW THEY WILL IMPLEMENT THE STANDARDS. JUST TO BE CLEAR, THE STANDARDS THAT WE DID, LIKE I MENTIONED, THIS GROUP ARE REVIEWING THE STANDARDS AND SELECTING WHICH ONES WOULD BE BEST FOR MINNESOTA. THEY DID INCORPORATE THESE TWO SETS OF STANDARDS. ONE SET OF STANDARDS COMES FROM THE FEDERAL GOVERNMENT. IT'S REFERRED TO AS SECTION 508 OF THE REHABILITATION ACT. AND IF YOU DON'T KNOW ABOUT IT NOW, YOU WILL LEARN ABOUT IT. THERE ARE PLENTY, PLENTY, PLENTY RESOURCES ABOUT IT ON THE WEB. AND THERE'S ALSO ANOTHER SET OF STANDARDS THAT WERE MORE OR LESS ADOPTED IN THE LIST, WHICH ARE WEB CONTENT ACCESSIBILITY GUIDELINES. AND THEY HAVE DECIDED, THESE EXPERTS, HAVE DECIDED TO REACH FOR THE DOUBLE A LEVEL. AND, AGAIN, THE WORLD WIDE WEB CONSORTIUM IS, LIKE, THE CREATOR OF THIS BODY OF STANDARDS, AND THEY HAVE MANY MANY MANY RESOURCES ON HOW TO -- WHAT THEY ARE, HOW TO DO IT, HOW TO TEST FOR IT AND EVERYTHING. JUST SO YOU KNOW, IT'S KIND OF COMPLICATED GOING ON THEIR WEBSITE. IF YOU HAVEN'T ALREADY. ANYBODY FAMILIAR WITH IT? EVERYBODY PRETTY MUCH COMPLAINS ABOUT HOW UNORGANIZED AND CRAZY, MESSY IT IS. BUT I HAVE BEEN IN THE PROCESS OF DEVELOPING SOME WAYS TO ACCESS THE INFORMATION ON THEIR SITE THAT IS PRETTY EASY AND QUICK. EVENTUALLY THEY'LL BE AVAILABLE ON O.E.T.'S WEBSITE ONCE -- YOU KNOW, THAT'S KIND OF OUT OF MY HANDS RIGHT NOW, BUT I'M CREATING ALL THE MATERIALS AND THEY'LL BE UP AND AVAILABLE. BUT MY PLAN WAS FOR DECEMBER 1st, BUT I DON'T THINK THAT'S GOING TO HAPPEN BY THEN. BUT IT WILL BE COMING. OKAY. SO, OKAY. AND THEN FOR SOME OTHER IMPLEMENTATION ACTIVITIES THAT HAVE BEEN GOING ON IN TERMS OF THE ACCESSIBILITY INITIATIVE, ADMIN, THE MATERIALS MANAGEMENT DIVISION, THEY DEAL WITH PROCUREMENT. AND SECTION 508 REALLY SPEAKS TO PROCUREMENT IN A VERY SIGNIFICANT WAY. SO, M.M.D. HAS BEEN IMPACTED THROUGH ALL OF THEIR CONTRACTS AND ALL THEIR PURCHASING METHODOLOGIES. AND OVER THE LAST YEAR, I'VE BEEN WORKING WITH A BUNCH OF PROCUREMENT PROFESSIONALS ON HOW TO INCORPORATE ACCESSIBILITY INTO THOSE CONTRACTS. SO, LIKE I SAID, THOSE WILL BE EFFECTIVE IMMEDIATELY. IF YOU'RE DOING AN R.F.P. NOW, YOU MIGHT EVEN SEE THE ACCESSIBILITY LANGUAGE HAS BEEN UPDATED IN IT. AND WE'RE DEVELOPING TRAINING. YOU GUYS PROBABLY WON'T REALLY HAVE TO DEAL WITH PROCUREMENT ALL THAT MUCH UNLESS YOU'RE WORKING ON A PROJECT. AND THEN AT O.E.T., SOME OF THE ACTIVITIES THAT WE'RE DOING IS THE -- IS WORKING ON THE WEBSITE INFORMATION LIKE I WAS JUST EXPLAINING, GETTING IT TOGETHER. MY GOAL IS TO HAVE IT BE AS -- BRING TOGETHER THE RIGHT TYPES OF INFORMATION FOR YOU TO BE ABLE TO JUST GO GET IT AT A CENTRAL PLACE IN A VERY EASY WAY VERSUS HAVING TO GO AND TRY OUT ALL THESE DIFFERENT RESOURCES BECAUSE THERE ARE A LOT OF RESOURCES. AND I'VE REVIEWED A LOT OF RESOURCES. AND I, LIKE YOU GUYS, WANT TO COMMUNICATE INFORMATION AS EASILY AND EFFECTIVELY. I'M GOING TO TRY TO COMMUNICATE THIS AS EASILY AND EFFECTIVELY, HOPEFULLY, FOR YOU GUYS, TOO. AND, OF COURSE, I'LL HAVE HELP ON DEVELOPING THAT. BUT WE'RE ALSO PUTTING TOGETHER IN-CLASS AND ONLINE TRAININGS. HOPEFULLY WE'LL EVEN HAVE LIKE FULL WEB-BASED TRAININGS ON HOW TO CREATE ACCESSIBLE WORD AND P.D.F.s. AND IN-CLASS, TODAY IS REALLY LIKE A PILOT, AND I'M NOT EVEN DOING A TRAINING, I'M JUST PRESENTING SOME INFORMATION. BUT THERE WILL BE FULL-ON TRAININGS FOR THAT, THAT'S IN OUR PLAN. FOR -- THERE WILL BE TRAINING FOR DESIGNING WEBSITES, INCORPORATING ACCESSIBILITY IN YOUR WEBSITES AND OTHER I.T. DEVELOPMENT PROJECTS, TRAINING ON CAPTIONING AND AUDIO DESCRIPTION. AND WE'RE OPEN TO LOOKING AT A LOT OF OTHER OPTIONS, IF YOU GUYS DEEM THAT THERE'S A NEED OR, YOU KNOW, I'LL TAKE ANY SUGGESTIONS AND TRY TO PUT TOGETHER WHATEVER POSSIBLE THAT WILL HELP YOU. AND THEN, OF COURSE, PROVIDING TECHNICAL ASSISTANCE FOR AGENCIES AS THEY DEVELOP THEIR PLANS AND ASSESSMENT OF HOW IT IMPACTS THEM IN PUTTING TOGETHER PLANS AND POLICIES AT THE AGENCY LEVEL. SO THIS IS PRETTY MUCH THE ACTIVITIES THAT I SEE HAPPENING FROM NOW ON. HEY, YOU HAD A QUESTION? >> YEAH. OF THE THINGS YOU JUST MENTIONED, THE TRAINING OPPORTUNITIES, BY WHAT DO YOU THINK SOME OF THAT OR MOST OF THAT STUFF WILL BE AVAILABLE? LIKE SIX MONTHS? >> Tanya: WITHIN SIX MONTHS, DEFINITELY. I'M THINKING JUST DEPENDING ON -- WELL, ORIGINALLY I WAS THINKING IT WAS GOING TO BE MOSTLY IN-CLASS, BUT WE MIGHT HAVE AN OPPORTUNITY TO GET WEB-BASED TRAININGS UP AND GOING. SO WE MIGHT SPEND SOME MORE TIME ON THAT FIRST IN SOLIDIFYING AND MAKING SURE ALL OF THE MATERIALS ARE REALLY GOOD SO IT COULD BE A LITTLE LATER. BUT JANUARY, FEBRUARY. TODAY'S, LIKE, A START. AND I HAVE BEEN HAVING SOME TRAININGS AT O.E.T. PILOTING THEM, GETTING SOME FEEDBACK. SO, WE'LL SEE. IT'S NOT THAT THEY'RE NOT GOING TO BE THERE. OF COURSE, I KNOW THAT YOU GUYS NEED THE INFORMATION. MOLLY. YOU HAVE A QUESTION? MOLLY: YEAH, I DO. I'M SORRY. I DIDN'T MEAN TO INTERRUPT YOU. >> Tanya: NO PROBLEM. MOLLY: FINISHING YOUR SENTENCE. I KNOW THAT THE INITIATIVE THAT YOU GUYS ARE WORKING ON RIGHT NOW SORT OF HAS AN END DATE, SO TO SPEAK, AT THE NEXT BIENNIUM, RIGHT? >> Tanya: IT DOES. THE PROJECT ENDS, LIKE, JULY 1st. MOLLY: ARE YOU GOING TO CONTINUE TO WORK ON THIS AFTER THAT AS FAR AS HELPING THE DIFFERENT AGENCIES? >> Tanya: WELL, WE HOPE -- YEAH. I MEAN, THAT'S THE PLAN. MOLLY: OKAY. >> Tanya: BUT WE HAVE TO PUT JUST SOME MORE PROCESSES IN PLACE. REALLY, IT'S LIKE A PROGRAM, AN ONGOING PROGRAM WITH SOME SHORT-TERM TRANSITIONAL ACTIVITIES, EVEN ONGOING. SO WE HAVE TO LOOK INTO THAT. I MEAN, THAT'S DEFINITELY -- THE LEGISLATURE FUNDED A TWO-YEAR PROJECT. AND THEN -- AND, REALLY, A LOT OF THE RESPONSIBILITY IS GOING TO HAPPEN AT THE AGENCY LEVEL. IT WILL. BUT THERE ALSO NEEDS TO BE SOME KIND OF SUPPORT AND A CENTRAL MECHANISM OR PLACE THAT HOLDS ALL OF IT TOGETHER, TAKES LEADERSHIP ON IT. AND I KNOW THAT O.E.T. IS TRYING TO FIGURE THAT OUT. BUT, I MEAN, I THINK THAT THE LEGISLATURE ALLOCATED MONEY FOR A PROJECT, AND THEY'RE GOING TO HAVE TO FIGURE OUT A WAY TO SUSTAIN IT ONE WAY OR ANOTHER. AND FOR ME AS A -- I'M ON THE PROJECT RIGHT NOW, BUT I'M -- AND I'M THINKING THEY PROBABLY WON'T HAVE FUNDING BECAUSE I'M PRETTY REALISTIC ABOUT WHAT'S HAPPENING WITH OUR FUNDS AT THE STATE. SO, I'M TRYING TO PUT AS MUCH -- AS MUCH IN PLACE AS POSSIBLE. I THINK THAT'S AS GOOD AS WE CAN DO, I MEAN, GIVEN THAT THE SITUATION THAT WE'RE IN. JAMIE. >> Jamie: I JUST WANTED TO BRING UP THAT THERE IS ONE RESOURCE ALREADY ON HOW TO CAPTION VIDEOS, ONLINE TRAINING. IT'S AT WWW.MNCDHH.ORG. IT'S CALLED ONLINE CAPTION ESSENTIALS. AND YOU CAN JUST CLICK ON THAT AND THAT WILL GIVE YOU ON HOW TO CAPTION YOUR ONLINE VIDEOS OR VIDEOS THAT YOU HAVE ON D.V.D. OR OR EVEN HOW TO DO A WEBINAR AND CLOSE CAPTION THAT. SO, THERE ARE SOME RESOURCES ALREADY OUT THERE THAT HAVE BEEN DEVELOPED. >> Tanya: YES. THANK YOU, JAMIE, FOR MENTIONING THAT. IN THE FUTURE, WE'LL HAVE A LINK TO THAT ON THE WEBSITE. BUT THAT'S ONE EXAMPLE OF THE WEB-BASED TRAINING FOR CAPTIONING. WE HOPE TO EVEN HAVE THE CONTRACT SO THAT VENDOR CAN MAKE SOME MORE TRAININGS, IF WE HAVE ENOUGH FUNDS TO DO THAT. SO THAT'S OUR PLAN. WE'RE TRYING TO. SO, OKAY. SO, I JUST WANTED TO -- I KNOW I INTRODUCED BOTH KEN AND JAMIE TO THE GROUP, BUT WHAT I REALLY WAS HOPING IS THAT YOU GUYS COULD HAVE AN UNDERSTANDING OF HOW DOCUMENTS IMPACT THEIR EVERYDAY WORK. KEN AND JAMIE, WOULD YOU BE WILLING TO COME UP AND TALK ABOUT THAT REAL QUICK? >> Ken: SURE. OBVIOUSLY ACCESSIBILITY IS EXTREMELY IMPORTANT, IF I CAN'T EVEN FIND THE PODIUM. YOU KNOW, WE LIVE IN A VISUAL WORLD, WE LIVE IN A PRINT WORLD, AND ESPECIALLY IN GOVERNMENT, EVERYTHING IS IN WRITING, EVEN THOUGH THERE'S THIS ENDEAVOR AND EFFORT TO GO PAPERLESS AND BE AS TREE-SAVING AS POSSIBLE, WE SEEM TO JUST BE CREATING MORE AND MORE AND MORE PRINT MATERIAL EVERY DAY. PRINT MATERIAL, WE LIVE AND BREATHE BY IT. BUT IF THERE ISN'T A MEANS FOR MAKING PRINT MATERIAL AVAILABLE FOR EVERYBODY, WE HAVE A DISCONNECT IN THE SYSTEM. SO, ACCESSIBILITY IS VITAL FOR ME TO BE ABLE TO WORK, TO BE PRODUCTIVE, TO BE INDEPENDENT. SO, IF I DON'T HAVE ACCESSIBILITY, I CAN'T DO MY WORK. I CAN'T DO ANY TYPE OF COMPARABLE WORK THAT ANYBODY THAT'S SIGHTED COULD DO. SO, IN ORDER TO HAVE A LEVEL PLAYING FIELD, I JUST DON'T HAVE IT WITHOUT ACCESSIBILITY. TECHNOLOGY IS VERY HELPFUL. WE CAN'T -- TECHNOLOGY REALLY MAKES LIFE A LOT EASIER, BUT TECHNOLOGY ALSO CREATES PROBLEMS. AND CREATES A LOT OF BARRIERS IN AND OF ITSELF SOMETIMES. P.D.F. IS AN EXAMPLE OF ONE OF THOSE TYPES OF ISSUES THAT ALTHOUGH VERY WIDELY USED AND WIDELY APPRECIATED BY A LOT OF PEOPLE, P.D.F.s CREATE A LOT OF PROBLEMS IN TERMS OF ACCESSIBILITY. CAN I HAVE MY -- MY BACKPACK? THANKS. I WANTED TO SHOW YOU, WE TALK ABOUT EQUIPMENT AND TECHNOLOGY IN OUR DAILY WORK, AND WE ALL HAVE COMPUTERS AT OUR DESK. HAVE SMARTPHONES, HAVE, YOU KNOW, P.D.A.s. ONE OF THE DEVICES THAT PEOPLE WHO DON'T SEE OR SEE VERY LIMITED USE IS ASSISTIVE TECHNOLOGY OR ASSISTIVE DEVICES. AND ONE OF THOSE DEVICES IS, FOR ME, IS CALLED A BRAILLE SENSE PLUS. I'M GOING TO SHOW IT TO YOU. VERY SMALL, VERY TINY, VERY LIGHT. AND IT'S JUST A KEYBOARD, A KEYBOARD WITH REFRESHABLE BRAILLE CELLS AT THE BOTTOM AND SOME INPUT CELLS AT THE TOP. IT DOES HAVE VOICE OUTPUT, BUT THIS RIGHT HERE IS COMPARABLE TO ANY LAPTOP OR DESKTOP COMPUTER. FOR ANYBODY THAT'S SIGHTED. THIS HAPPENS TO HAVE A LITTLE L.C.D. VISUAL DISPLAY ON IT SO THAT I CAN TURN IT ON AND SOMEBODY CAN WATCH WHAT I'M DOING OR I CAN HAVE A CONVERSATION WITH JAMIE AS A DEAFBLIND INDIVIDUAL AND TURN MY -- FLIP IT AROUND SO SHE COULD READ IT AS I'M TYPING TO HER. AND THEN I CAN READ -- IF SHE TYPES A RESPONSE BACK, I CAN READ IT IN THE BRAILLE CELLS OR SHE CAN READ IT IN THE BRAILLE CELLS IF SHE KNOWS BRAILLE. SO THAT'S ONE DEVICE THAT WE USE. THESE DEVICES DO NOT -- THEY DON'T UNDERSTAND P.D.F.s AT ALL. I CAN'T OPEN A P.D.F. AND EVEN ATTEMPT TO READ IT WITH THIS DEVICE. THIS IS A $7,000 MACHINE. IT'S OF THE MARKET. IT'S BRAND-NEW. SO, IT'S NOT THAT THIS IS OLD TECHNOLOGY. IT'S JUST THAT P.D.F.s ARE A PROBLEM. THE OTHER DEVICES THAT WE USE ARE PRETTY COMPARABLE, AND THEY ARE THE SAME DEVICES THAT YOU USE, WE JUST HAVE DIFFERENT TOOLS TO HELP US USE THEM, LIKE SCREEN READERS. HAS EVERYONE HAD A CHANCE -- LET'S PUT IT THIS WAY, HOW MANY PEOPLE HAVE NOT EVER HAD A CHANCE TO EXPERIENCE A SCREEN READER ON A COMPUTER? RAISE YOUR HAND IF YOU HAVE NOT. WHAT DOES THAT LOOK LIKE? >> Collette: ABOUT 12 PEOPLE. >> Tanya: MOST IN THE ROOM HAVE NOT. >> Ken: MOST OF YOU HAVE NOT. SO, SCREEN READERS MAKE THE PRINT ON A SCREEN ACCESSIBLE FOR PEOPLE LIKE ME AND JAMIE, BUT THEY'RE NOT THE END ALL BE ALL. SO THEY'RE JUST A TOOL, JUST LIKE ANYTHING ELSE. AND AS ALL TOOLS, THERE'S A RIGHT TOOL FOR THE RIGHT JOB. AND WE TRY TO MAKE SCREEN READERS THE TOOL THAT WE USE FOR EVERYTHING. AND IT'S NOT ALWAYS MEANT TO BE THAT. SO, HOPEFULLY TODAY YOU'LL BE ABLE TO GET SOME OF THOSE TYPES OF QUESTIONS ANSWERED FOR YOU. >> Tanya: HOW ABOUT, KEN, WHAT ARE THE TOP THREE THINGS THAT WOULD MAKE THE BIGGEST IMPACT WITH DOCUMENTS? >> Ken: IN MY DAILY WORK, THE TOP THREE THINGS -- I'M GOING TO CHANGE THAT QUESTION AROUND A LITTLE BIT AND LET ME PUT IT IN THE FORM OF A BARRIER. THE TOP THREE THINGS THAT ARE BARRIERS IN MY DAILY WORK ARE INACCESSIBILITY DOCUMENTS. I GET AN E-MAIL FROM SOMEBODY THAT HAS SOMETHING ATTACHED TO IT AND I CAN'T OPEN IT. I CAN'T READ IT. OR IF I OPEN IT, I CAN'T READ IT BECAUSE IT'S JIBBERRISH OR MY SCREEN READER CAN'T ACCESS IT. THAT'S THE NUMBER ONE ISSUE. THE SECOND IS GOING TO A MEETING AND HAVING PAPERS PASSED OUT SO THAT EVERYBODY CAN READ THE PAPERS AND FOLLOW ALONG WITH AN AGENDA OR WHATEVER'S BEING PRESENTED. IF I DON'T GET THAT MATERIAL AHEAD OF TIME AND HAVE A CHANCE TO REVIEW IT AHEAD OF TIME, I DON'T KNOW WHAT'S ON THAT PAPER. AND PROBABLY THE THIRD THING HAS TO DO WITH GETTING WHAT I NEED TO HAVE PRINTED OR WRITTEN OR EXCHANGED TO SOMEONE ELSE IN A FORM THAT THEY CAN READ. AND MOST OF THE TIME THAT'S PRETTY EASY. BUT WHEN THE -- IN TERMS OF BARRIERS, IT'S A PRINTER FOR ME THAT WOULD BE THE BARRIER. I CAN PRINT SOMETHING, BUT I DON'T KNOW THAT WHAT IS PRINTED OR WHAT COMES OUT OF THE PRINTER NECESSARILY IS WHAT I INTENDED IT TO BE BECAUSE I CAN'T VERIFY THAT UNLESS I USE A DIFFERENT TOOL AND SLAP IT ON MY SCANNER AND LET MY SCANNER READ IT AND SEE WHAT COMES OUT. SO, THOSE ARE THE THREE MAIN ISSUES THAT ARE BARRIERS IN MY WORK EVERY DAY. EACH AND EVERY DAY. >> Tanya: THANK YOU. >> Jamie: HI. MY NAME IS JAMIE. AND A LOT OF WHAT KEN SAID JUST RESONATES WITH ME AS WELL. I DO A LOT OF DOCUMENTS. I WRITE A LOT OF DOCUMENTS. I ALSO READ A LOT OF DOCUMENTS, OR AT LEAST ATTEMPT TO READ THE DOCUMENTS. AND I COULD GO TO ANY MEETING SUCH AS THIS AND BE HANDED A PRINT DOCUMENT AND THEN, OF COURSE, I ALWAYS ASK, DO YOU MIND SENDING IT TO ME IN ELECTRONIC FORMAT, AND IF I'M PROACTIVE I ALWAYS ASK BEFORE THE MEETING. SOMETIMES EVERYONE'S IN A RUSH TO GET ALL THE DOCUMENTS DONE AND, SO, I DON'T HAVE THE DOCUMENT. BUT I TRY. AND THERE'S A LOT OF DIFFERENT THINGS OUT THERE, BUT, LIKE I SAID, PAPER. AND THEN I WAIT FOR THE ELECTRONIC COPY. AND THEN I PUT IT ON MY SCREEN AND OFTENTIMES I HAVE TWO CHOICES. I CAN TRY TO READ IT WITH THE SCREEN MAGNIFIER THAT ZOOMS THE SCREEN REALLY BIG, ABOUT, OH, I'D SAY ABOUT HALF -- NOT HALF AN INCH, YOU KNOW, HALF OF HALF AN INCH WOULD BE ABOUT THE SIZE OF THE PRINT I'M READING ON THE SCREEN. SO, YOU CAN IMAGINE HOW MUCH I CAN GET ON THE SCREEN. IT'S NOT VERY MUCH. AND THEN, OF COURSE, I USE DIFFERENT COLORS, TOO, ON THE SCREEN BECAUSE I DO HAVE SOME VISION. NOT TERRIBLY A LOT, BUT I -- SO THAT IS REALLY HELPFUL BECAUSE A LOT OF DOCUMENTS I GET ARE NOT DESIGNED FOR THE SCREEN READER. AND, SO, I CAN READ IT WITH THE BRAILLE DISPLAY. BUT LET ME SAY, P.D.F.s CAN BE THE MOST GORGEOUS THINGS IN THE WORLD, BUT MOST OF THE TIME THEY'RE NOT. SO, I DID GO TO ONE MANUFACTURER, BROM, FOR EXAMPLE, AND I ENCOUNTERED A GORGEOUS P.D.F., IT WAS EVEN MORE ACCESSIBLE THAN MOST WORD DOCUMENTS. SO JUST TO GIVE YOU A HEADS-UP, P.D.F.s CAN BE REALLY WONDERFUL, BUT THEY CAN ALSO BE REALLY BAD AND SO CAN WORD DOCUMENTS BE REALLY GOOD AND ALSO REALLY BAD, TOO. THEY CAN BE JUST SCANNED PICTURES. WITH NO ABILITY FOR -- IT'S JUST A PICTURE FOR ME TO CONVERT TO COLORS BECAUSE IT'S NOT -- IT'S A PICTURE AND PICTURES DON'T GET -- THE COLORS DON'T CHANGE. SO JUST TO LET YOU KNOW. BUT YOU CAN ALSO HAVE THAT WITH A P.D.F., TOO. SO THERE'S DIFFERENT THINGS YOU CAN DO TO MITIGATE THAT. SUCH AS PUTTING ALT TEXT ON THERE. AND A LOT OF PICTURES DON'T HAVE ALT TEXT OR THE GRAPHS AREN'T -- ARE JUST IMAGES OF GRAPHS THAT PEOPLE HAVE PLUCKED FROM THE INTERNET AND JUST PUT IN THEIR DOCUMENTS. WELL, YOU NEED TO HAVE SOME ALTERNATIVE HERE BECAUSE A LOT OF THOSE GRAPHS ARE JUST PICTURES AND, OF COURSE, I CAN'T CHANGE THE COLORS. AND THEN, OF COURSE, A SCREEN READER, WHEN I'M READING WITH A BRAILLE DISPLAY, IT DOES NOT READ THE PICTURE, AND IF YOU DON'T ADD IT IN ALT TEXT, IT WILL READ IT AT EACH LONG NUMBER. SO A LOT OF TIMES THE PICTURES AREN'T LABELED VERY WELL IN THE TITLE, SO, OKAY, HERE IT GOES. I'LL GIVE YOU AN EXAMPLE. ONE PLUS -- ONE PERCENTAGE PLUS SIGN. ASTERISK ZERO, ONE, FOUR, FIVE, SIX, SEVEN, BLAH BLAH BLAH BLAH BLAH BLAH BLAH. OH. DOT J.P.G. OKAY. AND THAT COULD GO ON FOR A LONG SERIES OF TIME. SO, JUST TO GIVE YOU A HINT, TRYING TO READ THAT IS REALLY ANNOYING. SO, TRY TO REMEMBER TO ADD ALT TEXT OR -- TO YOUR IMAGE AS MUCH AS POSSIBLE. BUT THAT'S JUST ONE OF THE THINGS I ENCOUNTER. AND THAT'S ALSO ONE REASON WHY I OFTEN TRY TO USE MY SCREEN MAGNIFICATION A LOT. BUT, OKAY. ANOTHER THING THAT I ENCOUNTER THAT'S ANNOYING IS THE COLORS, WHEN YOU TRY TO DO DOCUMENTS, FOR EXAMPLE. TRY TO USE THE DEFAULT COLORS THAT COME WITH THE STYLES AND ALSO THE FONT COLORS BECAUSE -- THAT ARE WITH THE PROGRAM THAT MICROSOFT HAD PICKED BECAUSE THOSE GET TRANSLATED THE BEST WHEN I WANT TO CHANGE MY COLORS BECAUSE THE SCREEN MAGNIFICATION PROGRAM CHANGES THE COLORS FOR ME. AND, SO, YOU DON'T NEED TO DO IT ON YOUR END, BUT IF YOU USE THE DEFAULT STYLES AND COLORS AND SO ON, THAT WORD HAS, IT GETS TRANSLATED REALLY NICELY. SO, I DON'T SEE BLACK ON BLACK, OOH, WHERE DID THE TEXT GO? I DON'T KNOW. SO, THAT'S JUST ANOTHER THING. AND MY THIRD PET PEEVE IS SIMPLY THAT IF YOU HAVE ANY AUDIO IN YOUR DOCUMENT AT ALL, LIKE, YOU MIGHT HAVE A DOCUMENT THAT HAS A NICE LITTLE REPORT AND AT THE END YOU ADDED A LITTLE VIDEO CLIP, OKAY, I CAN'T UNDERSTAND WHAT THE VIDEO IS SAYING. SO, IF YOU ADD CAPTIONS TO THE VIDEO, THAT'S REALLY WONDERFUL. OR EVEN A TRANSCRIPT. TRANSCRIPTS AREN'T THE GREATEST, BUT THEY'RE EVEN BETTER FOR ME BECAUSE I CAN USE -- I CAN SEARCH IT AND NAVIGATE AND REWIND BECAUSE I CAN'T ALWAYS SEE THE CAPTIONS BECAUSE THEY'RE NOT BIG ENOUGH. BUT I KNOW A LOT OF MY COLLEAGUES, BECAUSE I WORK IN THE COMMISSION OF DEAF, DEAFBLIND AND HARD OF HEARING MINNESOTANS, SO A LOT OF MY CONSTITUENTS AND CO-WORKERS ARE DEAF OR HARD OF HEARING, TOO, AND THEY HAVE A HARD TIME UNDERSTANDING IT AS WELL. SO, THAT'S JUST A BOOST FOR THEM. AND JUST TO LET YOU KNOW, IF YOU'RE DEAF AND YOU CAN'T HEAR AND YOU WANT TO KNOW WHAT A SCREEN READER IS LIKE, GO TO ANY APPLE STORE AND GO ON -- AND THE CUSTOMER SERVICE WILL HELP YOU. IT'S CALLED VOICEOVER. AND THEY HAVE SOMETHING CALLED A BRAILLE DISPLAY -- ACTUAL BRAILLE VIEWER. AND IF YOU ENABLE THAT, YOU WILL SEE THE ACTUAL WORDS OF WHAT IS BEING SHOWN ON A BRAILLE -- YOU'LL SEE A VISUAL BRAILLE DISPLAY ON THE SCREEN, WHICH IS KIND OF NEAT, BECAUSE YOU DON'T NEED A $7,000 BRAILLE DISPLAY TO SEE IT, BUT YOU WON'T UNDERSTAND IT, BUT UNDERNEATH IT, IT HAS THE TEXT IN ENGLISH. SO, THAT'S JUST A PLUS TO LET YOU KNOW THAT. I ALWAYS LIKE TO ADVERTISE THAT BECAUSE MOST PEOPLE DON'T KNOW THAT. AND I JUST WANT TO MAKE SURE THAT EVERYONE CAN UNDERSTAND WHAT I'M GOING THROUGH. OKAY. TALK TO YOU LATER. OH, AND THAT'S FREE, TOTALLY FREE, VOICEOVER. SO, ON THE APPLE COMPUTER. SO, JUST TO GIVE YOU A HINT. SO ANY OF YOU CAN GO TO THE APPLE STORE AND TRY IT OUT. THEY'RE REALLY FRIENDLY AT THE APPLE STORES. SO, ANNOY THEM LIKE CRAZY AND IF THEY DON'T KNOW, THEY WILL WANT TO TRY TO LEARN ABOUT IT. SO, JUST PROMOTE ACCESSIBILITY ALL THE TIME. OKAY. THANK YOU. >> Tanya: THANK YOU SO MUCH, JAMIE AND KEN. OKAY. SO, I THINK I'M PRETTY MUCH READY TO MOVE ON. SO, I HAVE BEEN SPENDING SEVERAL, SEVERAL MONTHS TRYING TO LEARN ABOUT ACCESSIBILITY MYSELF BECAUSE I DIDN'T HAVE A BACKGROUND IN TECHNOLOGY OR ACCESSIBILITY EVEN BEFORE JOINING ON THIS PROJECT. I HAVE A BACKGROUND IN PUBLIC POLICY. AND, SO, I'VE BEEN DOING LEARNING LEARNING LEARNING LEARNING AND LEARNING. AND LET ME TELL YOU, THERE ARE, PROBABLY YOU ALREADY FIGURED THIS OUT, BUT THERE ARE A LOT OF RESOURCES ON HOW TO CREATE ACCESSIBLE DOCUMENTS. AND THERE ARE CERTAIN THINGS ABOUT THEM THAT YOU'LL SEE OVER AND OVER AGAIN. I THINK THEY PRETTY MUCH COVER THE CORE BARRIERS THAT BOTH KEN AND JAMIE HAVE IDENTIFIED, BUT SOME WILL GO INTO FAR GREATER DETAIL AND IT'S NOT ALWAYS THE SAME IN EVERY CIRCUMSTANCE. SO WHAT I'VE DONE IS PUT TOGETHER KIND OF A LIST OF PRINCIPLES, SO TO SAY, CORE IDEAS -- CORE THINGS TO THINK ABOUT WHENEVER YOU'RE CREATING DOCUMENTS. THIS ALSO REALLY APPLIES TO SOME EXTENT, NOT ALL OF THEM, BUT WHEN YOU'RE CREATING WEB PAGES, TOO. SO, I'VE PULLED FROM A LOT OF DIFFERENT PLACES, AND RIGHT NOW I'M TRYING TO KEEP THE LIST AS CONCISE AS POSSIBLE BUT IT'S AT NINE, OF PRINCIPLES FOR DOCUMENT ACCESSIBILITY. SO I'M GOING TO GO OVER THE LIST REAL QUICK AND THEN I'LL GO ON AND TALK A LITTLE BIT ABOUT EACH PRINCIPLE. I WILL START WITH NUMBER ONE. AND, REMEMBER, WE'RE REALLY TALKING ABOUT WORD DOCUMENTS HERE. POWERPOINTS, FOR THE MOST PART, CAN BE THE SAME, ALTHOUGH IN POWERPOINT, YOU CAN INCLUDE VIDEO, SO THEN YOU WOULD HAVE TO THINK ABOUT CAPTIONS AND A TRANSCRIPT AS WELL. BUT I REALLY REALLY WOULD LIKE TO JUST KEEP IT TO THINKING ABOUT WORD DOCUMENTS FOR NOW. AND WHEN IT COMES TO P.D.F., THE MAIN -- THE MAIN MESSAGE THAT I'VE BEEN LEARNING EVERYWHERE IS THAT YOU NEED TO CREATE AN ACCESSIBLE SOURCE FILE FIRST. AND, SO, THAT REALLY IS THIS WORD DOCUMENT HERE. SO, JUST FOCUS ON THAT. SO, NUMBER ONE, I THINK IS MOST IMPORTANT IS TO ASSIGN PROPERTIES TO THE DOCUMENT. NUMBER TWO, USE STYLES TO STRUCTURALLY MARK UP YOUR DOCUMENT. THREE, DON'T RELY ON COLOR TO CONVEY MEANING. FOUR, USE ALT TEXT, AND YOU HEARD JAMIE TALK ABOUT THIS, AND CAPTIONS TO EXPLAIN INFORMATION IN IMAGES, PICTURES, CHARTS OR GRAPHS. FIVE, USE BUILT-IN FORMATTING FEATURES FOR COLUMNS. SIX, BE JUDICIOUS WITH TABLES. SEVEN, DON'T RELY ON SOUND. PROVIDE CAPTIONS AND TRANSCRIPTS. EIGHT, BE CLEAR AND BRIEF. AND, NINE, ADD A MEANINGFUL DESCRIPTION TO HYPERLINKS. AND LIKE I SAID, THERE ARE MANY MORE, BUT I REALLY TRY TO IDENTIFY THESE AS THE CORE PRINCIPLES AND -- AT THE END, I'LL REFERENCE A DOCUMENT THAT I FOUND TO BE -- I THINK IT'S THE BEST ONE THAT I'VE COME ACROSS FROM THE SOCIAL SECURITY ADMINISTRATION AND I'LL GIVE YOU THE LINK TO THAT DOCUMENT AT THE END. AND IT PRETTY MUCH WILL TELL YOU HOW TO DO EVERYTHING WITH A WORD DOCUMENT AND A P.D.F. AND HOW TO TEST EACH AND EVERY LITTLE PART OF IT. SO, IT'S VERY THOROUGH, COMPREHENSIVE, AND IT'S BEEN UPDATED, JUST IN MARCH. SO, IT'S UP TO DATE. THAT IS -- SO, OKAY. FOR PRINCIPLE ONE, ASSIGNING PROPERTIES TO YOUR DOCUMENT. DO YOU GUYS ALREADY DO THAT WITH YOUR DOCUMENTS? DO YOU KNOW WHAT I'M TALKING ABOUT WHEN I SAY PROPERTIES? YES. >> NO. >> Tanya: GOOD. I DISCOVERED THIS ONE, TOO, AND I'VE BEEN JUST SHARING IT WITH COLLEAGUES EVERY TIME I COME ACROSS NEW DOCUMENTS OR I'M CREATING OR CO-CREATING DOCUMENTS WITH OTHERS. YES. >> WILL THIS PRESENTATION BE E-MAILED OUT TO US AFTER? >> Tanya: YES. I WILL E-MAIL THIS PRESENTATION OUT. SO YOU CAN GET AN ELECTRONIC VERSION. MOLLY. MOLLY: WE'LL ALSO POST IT ON OUR WEBSITE, TOO. >> OKAY, PERFECT. MOLLY: SO YOU CAN DOWNLOAD IT FROM THERE. YEAH. >> Tanya: EXCELLENT. THANK YOU. SO, WHAT I'VE DISCOVERED IS THAT EVERY DOCUMENT BASICALLY ATTACHES METADATA TO IT IF IT'S A WORD DOCUMENT. AND THIS IS KIND OF INTERESTING. IT'S PRETTY MUCH WHATEVER -- IF IT'S MY COMPUTER AND THIS ONE IS LICENSED TO ME SO WHATEVER DOCUMENT I ORIGINATE, THAT ORIGINATES ON MY COMPUTER, IT AUTOMATICALLY PUTS TANYA BELANGER AS THE AUTHOR. AND IT WOULD GO MANY OTHER PLACES. OR I WORK WITH CONTRACT DOCUMENTS WITH M.M.D., AND IT WILL SAY, LIKE, THE STAFF PERSON AT M.M.D. ON A SOLICITATION DOCUMENT. IT SHOULDN'T. IT SHOULD SAY DEPARTMENT OF ADMINISTRATION. IT NOW DOES. BUT WE'VE KIND OF JUST BEEN LEARNING ALONG, TOO. AND HOW -- WHY IT'S IMPORTANT IS THAT, AT LEAST FROM WHAT I'VE LEARNED, IS THAT WITH SCREEN READERS, THE PROPERTIES, THE LABELS, THE AUTHOR AND THE TITLE, AND MAYBE EVEN LIKE THE SUBJECT, YOU CAN PUT WHATEVER TYPES OF DESCRIPTIONS ATTACHED TO THE DOCUMENT, IT'S LIKE THE VERY FIRST THING THAT A SCREEN READER WILL COME ACROSS. YOU KNOW, USUALLY IF IT'S NOT -- SO, IT WILL AUTOMATICALLY USUALLY POPULATE A NAME. SO, IT WILL POPULATE MY NAME, BUT I GO IN AND CHANGE IT TO OFFICE OF ENTERPRISE TECHNOLOGY. AND THEN IT WILL PULL WHATEVER MY FIRST SENTENCE OF MY DOCUMENT IS. IF I HAVEN'T USED STYLES TO MARK UP MY DOCUMENT, THEN IT PULLS WHATEVER MY FIRST SENTENCE IS AND GIVES IT AS THE TITLE, WHICH CAN BE COMPLETELY TOTALLY OFF. OR UNRELATED TO WHAT THE DOCUMENT IS ANYWAYS. AND ANOTHER BENEFIT TO ASSIGNING PROPERTIES TO THE DOCUMENT IS THAT BY PUTTING THE METADATA ON IT AND IF YOU POST IT TO YOUR WEBSITE, THEN THAT MEANS THAT IT'S EVEN MORE SEARCHABLE, RIGHT? OKAY. SO -- IN THE SLIDE I KIND OF EXPLAIN HOW TO DO IT, BUT I'LL SHOW YOU REAL QUICK. I WONDER IF I DID THAT. SO LET'S CHECK. SO, IF YOU GO HERE, AT THE MICROSOFT OFFICE BUTTON, AND YOU GO TO PREPARE PROPERTIES. SO, I DIDN'T EVEN DO THIS ONE. PERFECT. YOU SEE HOW IT AUTOMATICALLY -- IT PUT MY NAME THERE. WELL, IT IS SOMETHING THAT I'M JUST WORKING ON. IT'S REALLY JUST BRAINSTORMING FOR ME RIGHT NOW ANYWAY. SO IT'S NOT -- IT'S TECHNICALLY AN OFFICIAL STATE DOCUMENT BUT NOT YET OFFICIAL. BUT I'M GOING TO CALL IT OFFICE OF ENTERPRISE TECHNOLOGY AS THE AUTHOR. AND IT'S ACCESSIBILITY TRAINING PLAN. SO I'M TRYING TO IDENTIFY ALL THE DIFFERENT CLASSES AND TRAININGS THAT ARE GOING TO HAPPEN. OKAY. AND, SO, REALLY, I THINK I ONLY NEED TO PUT THE AUTHOR AND THE TITLE AND I CAN PUT SOME MORE INFORMATION, BUT THIS IS JUST MY WORKING DOCUMENT. AND NOW I'M DONE. SO I'VE ASSIGNED THE PROPERTIES TO MY DOCUMENT. AND WHENEVER -- IF ANYBODY WITH A SCREEN READER, IF I WERE TO E-MAIL THIS TO KEN AND HE WERE TO OPEN IT UP, THEN HE'D COME ACROSS AUTHOR, TANYA BELANGER, THIS IS THE NAME OF THE DOCUMENT. VERSUS EITHER BLANK, SO YOU SEE, OH, IT'S MADE BY TANYA, OKAY, BUT WITHOUT A TITLE, LABEL TO IT, PROPERTIES, HE WOULDN'T REALLY KNOW YET, YOU KNOW. LIKE, OKAY, BLANK. RIGHT? IS THAT HOW IT WOULD COME ACROSS? HE'S NODDING HIS HEAD YES. OKAY. SOUNDS RIGHT. SO, I WANT TO GO BACK HERE. OOPS. [ FLIPPING THROUGH THE SLIDES ] SO PRINCIPLE TWO, USE STYLES TO STRUCTURALLY MARK UP YOUR DOCUMENT. BEING THAT THIS GROUP IS A LOT OF COMMUNICATIONS PEOPLE, I'M GUESSING YOU USE STYLES? >> YES. >> Tanya: THROW HANDS UP. I'M ONE OF THOSE, LET'S SEE WHERE THE ROOM'S AT. IS IT FAIR TO SAY ABOUT HALF THE ROOM OR MAYBE THREE-FOURTHS OF THE ROOM IS FAMILIAR WITH USING STYLES? OKAY. I HAD AN INTERESTING EXPERIENCE WITH OUR OWN COMMUNICATIONS TEAM WHEN I WAS GOING THROUGH THIS EXERCISE. BECAUSE THEY USE STYLES. AND THEY HAVE CERTAIN STANDARDS FOR EACH AND EVERY STYLE. THAT'S PRETTY -- IS THAT HOW YOU GUYS DO IT, TOO? OKAY. WELL, IF YOU'RE GOING TO BE POSTING TO THE WEB OR IF YOU'RE LIKE THE LAST PERSON TO PUBLISH, YOU PRETTY MUCH GET DOCUMENTS FROM A VARIETY OF PLACES, RIGHT? AND DIFFERENT PROGRAMS IN THE DEPARTMENT, MAYBE REPORT THAT WAS WRITTEN BY A CONTRACTOR OR A VARIETY OF DIFFERENT FORMATS AND YOU GUYS HAVE TO SOMEHOW FIGURE OUT A WAY TO MAKE IT LOOK CONSISTENT, REPRESENT THE AGENCY, AND HAVE IT BE ACCESSIBLE. RIGHT? OKAY. SO, STYLES -- SO, WHAT I'VE HEARD FROM COMMUNICATIONS PEOPLE IS THAT OFTEN, BECAUSE THE DOCUMENT AUTHORS DON'T EVEN USE STYLES THEMSELVES AND AREN'T ADEQUATELY TRAINED IN HOW TO USE WORD ANYWAYS, THAT I HEAR THAT PEOPLE IN THE COMMUNICATIONS OFFICE SPEND A LOT OF TIME FIXING AND FORMATTING DOCUMENTS ALREADY ANYWAYS. SO, FOR THE SAKE OF ACCESSIBILITY, STYLES ARE CRITICAL BUT ALSO IT SOUNDS TO ME THAT FOR THE SAKE OF YOUR OWN TIME MANAGEMENT, IT WOULD BE MUCH MORE EFFICIENT IF THE PEOPLE IN YOUR AGENCY WERE TO USE STYLES ANYWAYS. YES? >> YES. >> Tanya: YES? OKAY. SO, SINCE MOST OF YOU ALREADY KNOW HOW TO USE STYLES FOR THE MOST PART, I'M GOING TO JUST BE SOMEWHAT BASIC ABOUT IT. BUT IT IS PROBABLY ONE OF THE MOST -- IT IS LIKE THE MOST IMPORTANT THING, I THINK, WITH DOCUMENTS BECAUSE IT ESTABLISHES THE LOGICAL READING ORDER OF THE DOCUMENT AND, OF COURSE, YOU CAN JUST UPDATE IT IN A SNAP WITH USING A DIFFERENT STYLE SET, WHICH I JUST FIND TO BE SO COOL. SO, INSTEAD OF USING BOLD, ITALICS AND INCREASING FONT SIZE TO EMPHASIZE YOUR TEXT, USE THE STYLES GALLERY. YOU CAN MARK UP THE TITLE, HEADING LEVELS, THAT HELPS WITH THE LOGICAL READING ORDER, THE TABLE OF CONTENTS. I HOPE NOBODY IN THIS ROOM DOES THE DOT DOT DOT DOT DOT DOT. ARE WE MOVING ON FROM THAT. I KNOW A LOT OF PEOPLE THAT STILL DO THAT FOR THEIR TABLE OF CONTENTS. AND EVEN FOR NORMAL TEXT TO HAVE A STYLE FOR THE NORMAL TEXT, BLOCK QUOTES, EVEN WORD EMPHASIS, AND IT'S REALLY IMPORTANT, TOO, NOT TO ADD EXTRA SPACE BETWEEN THE PARAGRAPHS, TO JUST USE THE STYLES TO DO THAT. ALSO, USE BULLETED LISTS TO EMPHASIZE INDIVIDUAL POINTS. AND USE THE NUMBERED LISTS TO DESCRIBE THE PROPER ORDER FOR A SERIES OF STEPS IN A SEQUENCE. YES. >> I HAVE A QUESTION. WHEN YOU'RE SAYING TO USE THE STYLES, IS IT OKAY IF YOU DEFINE YOUR OWN STYLES, IF YOU MADE YOUR OWN HEADING CALLED, LIKE, MY HEADING ONE? >> Collette: WHAT WE FOUND OUT, WE THOUGHT IT WAS OKAY, WE WERE TEACHING THAT. AND WE FOUND OUT THAT IF WE ASSIGN -- IF WE MODIFY THE STYLES THAT ARE CURRENTLY THERE, IT TRANSFERS TO A P.D.F. BETTER. IF WE MAKE OUR OWN HEADINGS, LIKE HEADING ONE, HEADING TWO, HEADING THREE, AND WE DEFINE EVERYTHING ALL ON OUR OWN, IT WORKS WHEN I MAKE IT INTO A P.D.F., BUT IF I LOCK MY WORD DOCUMENT AND PUT IT ON THE WEBSITE, THE WEB -- WORD WON'T RECOGNIZE THOSE HEADERS. OR THOSE HEADINGS, I'M SORRY. I ALWAYS GET HEADINGS AND HEADERS, CALLED THE SAME THING. >> SO P.D.F. WILL WORK BUT NOT SO MUCH A WORD DOC? >> USUALLY IF I DO SOMETHING IN WORD, THEN IT WILL AUTOMATICALLY GO INTO P.D.F. LIKE IT'S SUPPOSED TO OR NOT. BUT THIS INSTANCE, IF YOU MAKE YOUR OWN HEADINGS, THEN IT WILL NOT -- IF I'M PUTTING MY WORD DOCUMENT UP, OR I'M SENDING MY WORD DOCUMENT TO SOMEBODY ELSE, BY E-MAIL, THEY WON'T BE ABLE TO NAVIGATE THAT USING A SCREEN READER AS EASILY AS THEY WOULD IF THEY WERE USING A P.D.F. OR AS EASILY IF I HAD JUST MODIFIED THE EXISTING STYLES. >> THANK YOU. >> Tanya: YES. BY THE WAY, COLLETTE IS OUR LOCAL EXPERT ON THIS ONE BECAUSE SHE'S -- SHE WORKS AT MINNESOTA MANAGEMENT AND BUDGET AND HAS REALLY TAKEN ON A LEADERSHIP ROLE IN DELVING INTO THESE ISSUES AND FIGURING THEM OUT. AND I THOUGHT YOU GUYS WOULD REALLY WANT TO LEARN FROM HER EXPERIENCE BECAUSE I'M SURE THAT YOU'RE EITHER IN THAT EXPERIENCE OR ABOUT TO GO ON THAT JOURNEY OF FIGURING OUT HOW TO DO IT RIGHT. SO, COLLETTE, ARE YOU AVAILABLE FOR PEOPLE TO ASK QUESTIONS? >> Collette: YES. >> Tanya: OKAY. I'VE BEEN SENDING PEOPLE TO HER PRETTY REGULARLY. SORRY, JUST LIKE BOOKED YOUR SCHEDULE UP. NO, JUST KIDDING. OH. LET'S SHOW YOU HOW TO DO STYLES REAL QUICK. ONCE I FIGURED OUT HOW TO DO STYLES, FOR THE LONGEST TIME, STYLES DROVE ME NUTS. BECAUSE I DIDN'T KNOW HOW TO MODIFY THEM. AND IT ALWAYS DID WEIRD, DIFFERENT THINGS. THERE, THERE'S MY STYLES GALLERY. SO, HERE'S MY TITLE. USUALLY I WOULD JUST TYPE IT, YOU KNOW, THE NORMAL, WHATEVER TITLE IT IS, AND THEN I'LL HIGHLIGHT IT AND GO TO THE STYLES GALLERY AND CLICK TITLE AND THEN IT'S ASSIGNED A TITLE. ASSIGN THIS TEXT AS THE TITLE. SO IT'S PROVIDING THAT STRUCTURE TO THE DOCUMENT THAT THE SCREEN READER NEEDS TO BE ABLE TO DIFFERENTIATE THE TEXT. OTHERWISE IT'S JUST ONE BIG BLOB OF ONGOING TEXT. MAYBE NOT A BLOB. A BOX OF ONGOING. VISUALLY I CAN SEE DIFFERENT DIMENSIONS, AND THAT'S REALLY WHAT THE STRUCTURAL MARKUP PROVIDES. I'M PRETTY SURE THAT'S WHAT IT PROVIDES TO THE DOCUMENT. AM I DESCRIBING IT RIGHT? >> Collette: CAN I ADD ONE THING? >> Tanya: YEAH. >> Collette: THE REASON YOU WANT TO USE STYLES, TANYA HASN'T SAID, IS BECAUSE IF YOU -- STYLE THINGS IS HEADINGS, KEN CAN GO THROUGH USING A SCREEN READER AND JUST GO FROM HEADING TO HEADING TO HEADING BY HITTING H H H H, SO, IF YOU DON'T HAVE THOSE HEADINGS IN THERE AND YOU JUST INCREASE YOUR FONT, THEN THERE'S NO NAVIGATIONAL ISSUES IN THERE. IF YOU'VE GOT A 600-PAGE DOCUMENT AND HE'S GOT TO READ SOMETHING ON PAGE 450, HE'D HAVE TO READ THROUGH THE ENTIRE DOCUMENT. BY PUTTING HEADINGS IN THERE AND DOING STYLES LIKE SHE'S SHOWING YOU, IT GIVES IT A NAVIGATION. SO THAT'S WHAT THE STYLES ARE. THAT'S WHAT THOSE HEADINGS ARE PROVIDING. I'M SORRY. >> Tanya: YOU SHOULD JUST STAND UP WITH ME. I WENT TO COLLETTE'S TRAINING FIRST. SO, SHE DOES HAVE AN ONGOING TRAINING AT HER AGENCY. IT'S REALLY GOOD. SO, THE HEADINGS, SO I SHOWED YOU THE TITLE, AND THEN HERE'S AN EXAMPLE, THIS IS GOING TO BE MY HEADING ONE. NOTICE HOW ALL OF A SUDDEN, THE GALLERY UP HERE, THE STYLE GALLERY, BECAUSE I HIGHLIGHTED TEXT THAT I ALREADY ASSIGNED TO HEADING LEVEL ONE, IT'S SHOWING ME UP THERE, BEING HIGHLIGHTED AROUND HEADING ONE IN YELLOW. AND, OF COURSE, YOU PROBABLY ALREADY KNOW, IF YOU ARE USING STYLES IS THAT YOU CAN, WHICH IT TOOK ME FOREVER TO REALIZE, AND THAT'S WHY I NEVER LIKED USING STYLES BECAUSE IT ALWAYS MADE MY DOCUMENTS LOOK CRAZY, BUT NOW I KNOW THAT YOU CAN JUST MODIFY IT, RIGHT? AND CHANGE THINGS WITHIN IT. AND ALSO ONCE YOU MARK UP THE ENTIRE DOCUMENT, OF COURSE, YOU CAN CHANGE THE STYLE SET, WHICH I'M JUST HAVING A HARD TIME HERE. BUT, OKAY. SO YOU SEE HEADING LEVELS. LET'S SEE. THIS ONE IS ASSIGNED A HEADING LEVEL TWO. LET'S GO AHEAD AND VERIFY IT. YUP, IT GOES RIGHT TO MY STYLE GALLERY, HEADING TWO. I WONDER IF I MIGHT HAVE PUT AN EMPHASIS ON THAT ONE. I DID. INSTEAD OF JUST PUTTING B, YOU KNOW, JUST MAKING IT BOLD, I WENT IN AND SAID STRONG, IT MAKES IT BOLD FOR ANYBODY VISUALLY, BUT IT ALSO, FOR THE SCREEN READER THAT'S READING IT, IT APPLIES THAT EXTRA -- IF IT WAS JUST BOLD, IT WOULDN'T SAY, THIS TEXT IS BOLD. IT WOULD JUST SAY, THE TEXT. SO THERE'S NO DIFFERENTIATION. BUT NOW THAT I'VE ASSIGNED STRONG TO IT, AND IT LOOKS BOLD, THEN ALSO THE SCREEN READER CAN EMPHASIZE THAT, TOO, OR AT LEAST INDICATE TO THE USER THAT IT'S AN EMPHASIZED TEXT. >> WHERE DO YOU ASSIGN THAT? >> Tanya: RIGHT -- >> WHEN YOU'RE MODIFYING, WHICH PART IS IT IN? >> Tanya: IT'S RIGHT IN THE STYLES GALLERY. SO, HERE, I'LL JUST USE THIS WORD RIGHT HERE. AND I'M GOING TO ASSIGN -- SO RIGHT NOW, YOU SEE IT'S NORMAL TEXT. OF COURSE, YOU CAN MODIFY ANYTHING, ANY ONE OF THESE STYLES. BUT I WANT IT TO BE STRONG. RIGHT? SO, I'VE JUST MADE IT STRONG. IT BOLDED IT. AND IT HAS THAT EMPHASIS, THE UNDERLYING EMPHASIS BEHIND IT. >> OKAY. SO IT'S AN ACTUAL ONE YOU CAN CHOOSE FROM? ALL RIGHT. >> Tanya: YES. JED. >> DO YOU KNOW IF THERE'S A WAY THAT YOU CAN MAP, LIKE, SAY YOU'RE USING CONTROL B TO APPLY BOLD, CAN YOU HAVE THAT MAPPED TO THAT STRONG STYLE INSTEAD? >> Tanya: OH, LIKE KIND OF A REVERSE THING? >> YEAH. SO THAT YOU CAN JUST HIT CONTROL B AND IT WOULD ACTUALLY APPLY THE STYLE INSTEAD OF HAVING TO GO FROM THE STYLE MENU. >> Tanya: NO. >> IT SEEMS LIKE SOMETHING THAT MICROSOFT SHOULD HAVE DONE UP FRONT. >> Tanya: YOU KNOW, THEY'RE FIGURING THINGS OUT. I KNOW YOU PROBABLY HAVE ALREADY TAKEN THIS ON. SO THAT'S THE COMPLICATED THING. THERE'S SOME FUNNY GLITCHES. >> Collette: NOT THAT I'M AWARE OF. >> Tanya: AND ONCE YOU START DELVING INTO IT, YOU START TO REALIZE THAT THEY'RE THERE. AND, SO, I THINK IT'S JUST REALLY EVOLVING. >> OKAY. >> Tanya: AND I EVEN KNOW THAT A LOT OF THESE COMPANIES, LIKE MICROSOFT, HAVE A WHOLE ACCESSIBILITY TEAM AND THEY STILL -- IT'S LIKE THEY GET IT IN SOME REGARD, BUT THEY FORGET IT IN A WHOLE OTHER PART AND IT'S JUST BACKWARDS. LIKE COLLETTE SAID, YOU CAN MARK UP, IF I HEARD YOU CORRECTLY, YOU CAN MAKE A PERFECTLY ACCESSIBLE WORD DOCUMENT BUT THEN IF YOU LOCK IT UP, THEN IT'S NOT ACCESSIBLE. >> Collette: NO. IF YOU MAKE YOUR OWN STYLES. >> Tanya: IF YOU MAKE YOUR OWN STYLES. SO, THAT'S JUST A COMPLICATED GLITCH. >> Collette: YOU WOULD WANT TO LOCK IT UP WHEN YOU PUT IT ON THE WEB. YOU WOULD WANT TO PASSWORD PROTECT IT. FOR USE. CAN I SHOW THEM A QUICK TRICK? >> Tanya: YES. >> Collette: I HAVE A QUICK TRICK FOR YOU. LET'S SAY YOU ALREADY HAVE A DOCUMENT THAT YOU ALREADY CREATED AND YOU LIKE THE HEADING ON IT, LET'S SAY THE HEADING YOU HAVE ON IT IS ALREADY RED -- IS PURPLE. OR SOME COLOR. ORANGE. AND YOU LIKE THAT. YOU DON'T WANT TO HAVE TO RE-CREATE IT. YOU'VE ALREADY GOT THE WHOLE DOCUMENT CREATED. YOU DON'T WANT TO RE-CREATE THAT. BECAUSE YOU DON'T WANT TO GO BACK TO YOUR MODIFY, STYLE. YOU KNOW, IN ORDER FOR ME TO MAKE THAT A HEADING, I WOULD HAVE TO MODIFY THE STYLE TO DO THAT. LET'S SAY I WANT ALL HEADING ONEs TO LOOK EXACTLY LIKE REFERENCES DOES. BUT I DON'T WANT TO HAVE TO GO THROUGH THE WHOLE WORK OF RE-CREATING A WHOLE NEW TEMPLATE FOR IT. IF I JUST HIGHLIGHT -- THIS IS A REAL SHORTCUT AND IT WORKS GREAT. SO, I WILL HIGHLIGHT IT, GO TO HEADING TWO, I'LL RIGHT CLICK, WHERE IT SAYS UPDATE HEADING 2 TO MATCH SELECTION, IT NOW UPDATED MY STYLE FOR HEADING 2. NOW, ALL MY HEADING 2s WILL CHANGE THE WHOLE DOCUMENT. I DIDN'T HAVE TO CREATE A NEW STYLE, I DIDN'T HAVE TO WORRY ABOUT GOING TO MODIFY, MAKE IT ORANGE, MAKE IT BOLD. I WAS ABLE TO JUST TO HIGHLIGHT, SAY MODIFY IT. SO MODIFY, HEADING 2 TO MAKE IT. SO IF YOU ALREADY HAVE A DOCUMENT THAT'S CREATED AND THE USER LIKES THOSE -- THEY LIKE PINK, LIKE OUR OPEN ENROLLMENT DOCUMENT HAS THE PINK HEADERS ON IT, I THINK IT'S UGLY, BUT THEY HAVE ALL THESE PINK HEADINGS IN THERE, AND WHEN I GOT THE DOCUMENT, TRYING TO MAKE IT ACCESSIBLE, I DIDN'T HAVE TO GO CREATE PINK -- I DIDN'T HAVE TO MODIFY ALL MY HEADINGS TO BE PINK. I JUST HAD TO SELECT THAT ONCE, LIKE I DID, RIGHT CLICK IT, AND WHERE IT SAYS UPDATE, TO MATCH SELECTION, IT SAYS STRONG HERE, BUT UPDATE HEADING TO MATCH SELECTION, I JUST DID THAT AND IT DID IT AUTOMATICALLY. I DIDN'T HAVE TO DO AS MUCH WORK ON THE STYLES. SO THAT'S -- AND THAT WORKS WELL FOR DOCUMENTS THAT ARE ALREADY PREMADE. >> Tanya: THANKS, COLLETTE. OKAY. >> CAN I ASK, OKAY, SO WHICH WAS NOT ACCESSIBLE AND WHICH WAS? I MEAN -- >> Collette: IF I CREATED MY OWN STYLES. >> DIDN'T YOU JUST DO THAT? >> Collette: NO. I MODIFIED A STYLE. YOU CAN CREATE A NEW STYLE BY THIS LITTLE BUTTON HERE THAT SAYS CHANGE STYLES. YOU GO DOWN HERE. AND I BELIEVE THIS IS IT, NEW STYLE. IF I DO A NEW STYLE, I CAN CALL IT COLLETTE'S HEADING. AND THEN I WOULD CREATE A STYLE OUT OF IT. NOW, IF I APPLY THE STYLE TO THE DOCUMENT, SO, ALL OF MY HEADING 1s, SO COLLETTE'S HEADING 1, IT WOULD BE, SO ALL MY HEADING 1s NOW ARE NOT HEADING 1 ANYMORE, THEY'RE COLLETTE'S HEADING 1, WHEN I SAVE THAT DOCUMENT OUT, WORD DOES NOT RECOGNIZE THOSE AS HEADINGS. IT WILL TRANSFER IT TO THE P.D.F. CORRECTLY, BUT IT WON'T -- IF I'M USING THE WORD DOCUMENT, AND I'M PROTECTED IT AND I'M GOING H, H, H, TRYING TO GET MY HEADING TO HEADING TO HEADING, IT WILL SAY, THERE ARE NO HEADINGS IN THIS DOCUMENT. AND WE WANT IT TO SHOW, THAT'S THE NUMBER ONE PART. WE WANT -- ESPECIALLY THE HEADINGS ARE THE MOST IMPORTANT, I THINK, MYSELF. >> YEAH, SO THAT'S JUST SORT OF A -- FOR THE HEADINGS, IS WHAT WE REALLY NEED TO BE CONCERNED ABOUT, CREATING YOUR OWN STYLES, CORRECT? >> Collette: DON'T CREATE YOUR OWN STYLES, JUST MODIFY. YUP, JUST MODIFY EXISTING STYLES. >> Jamie: ONE OTHER THING. DON'T MODIFY NORMAL. THE WHOLE DOCUMENT, IT WILL CHANGE EVERYTHING ELSE. SO, YEAH, JUST TRY NOT TO MODIFY NORMAL. WHATEVER YOU DO. BECAUSE THE DOCUMENT WORD USES THAT FOR THE BASIS OF EVERYTHING ELSE. SO, YEAH. JUST A HINT. >> SO, I WAS JUST GOING TO MENTION TIPS, SHE MENTIONED THE STRONG. BECAUSE THAT'S KIND OF A HTML TERM, THAT EMPHASIS WOULD BE THE EQUIVALENT FOR ITALIC. THE EMPHASIS STYLE. WOULD BE THE EQUIVALENT. >> Tanya: YOU WOULD DO THE SAME THING FOR ITALICS? >> YES, YOU WOULD USE EMPHASIS. >> INSTEAD OF ITALICS. >> Tanya: RIGHT, YES, IN THE STYLES GALLERY, THEY HAVE -- SHOOT, I SHOULD GO BACK. MIGHT AS WELL JUST SHOW YOU. SEE, HERE WE HAVE STRONG, LIKEWISE, THERE IS ALSO -- WHERE DID -- THERE'S EMPHASIS RIGHT HERE FOR ITALICS, SUBTLE EMPHASIS, SO, EVERYTHING SHOULD OCCUR WITHIN STYLES, IF POSSIBLE, TO THE EXTENT POSSIBLE, IF YOU WANT ACCESSIBLE. YES. >> I HAVE A QUESTION ABOUT MODIFYING THE STYLES. DOES IT STAY SPECIFIC TO JUST THAT DOCUMENT OR DOES IT STAY IN YOUR WORD SO EVERY TIME YOU OPEN A NEW DOCUMENT YOUR STYLES ARE MODIFIED? >> Collette: GENERALLY IT WILL STAY WITH YOUR DOCUMENT ONLY. AND IF YOU PASS IT ON, IT WILL STAY WITH THE DOCUMENT. IF YOU WANT IT TO BE IN YOUR GLOBAL, IF I DO A MODIFY, DOWN HERE THERE'S A -- IT SAYS ONLY IN THIS DOCUMENT OR NEW DOCUMENTS BASED ON THIS TEMPLATE. SO, IT WILL CHANGE -- IF YOU CLICK THAT, IF YOU CHANGE -- MODIFY THE STYLE, AND YOU CLICK THAT SECOND BULLET POINT -- OR RADIO BUTTON, THANK YOU, IF YOU HIT THE SECOND RADIO BUTTON, THEN IT WILL CHANGE THE TEMPLATE ITSELF, SO EVERY TIME YOU OPEN THAT TEMPLATE, IT WILL CHANGE THAT. AND THAT WOULD HELP IN TEMPLATES THAT YOU'RE PUTTING, LIKE, AS YOUR NORMAL TEMPLATE THAT EVERYBODY WOULD BE USING. YOU'D CREATE A D.O.T., HAVE IT DO THAT, THEN EVERYBODY WOULD BE OPENING THE SAME TEMPLATE WITH THE SAME STYLES. >> Tanya: ANY MORE QUESTIONS? YES. >> I'VE GOT A QUESTION. >> CAN YOU GO BACK TO THAT SLIDE THAT YOU WERE SHOWING? >> Tanya: THE SLIDE? >> YEAH. YOU MENTIONED ABOUT THE -- DON'T HAVE EXTRA SPACE BETWEEN THE PARAGRAPHS, USE STYLE FOR THIS. WHAT DOES THE SCREEN READER READ IF THERE'S -- >> Collette: IF THERE'S AN EXTRA PARAGRAPH -- MOST TEMPLATES ARE SET UP SO THAT YOU HAVE -- TYPE YOUR PARAGRAPH, THEN HIT ENTER, IT GIVES YOU A SPACE, THEN HIT ENTER AGAIN. >> YEAH. >> Collette: WHAT YOU WANT TO DO, YOU WANT TO HAVE YOUR STYLE THAT YOU HAVE THAT EXTRA SPACE BUILT INTO IT. IN YOUR MODIFY. LET ME JUST GET TO SOME TEXT HERE. SO, IF I RIGHT CLICK AND MODIFY THIS, AND I GO DOWN TO FORMAT, PARAGRAPH, AND ADD 12 POINTS BELOW IT, SO THAT WAY -- OR 12 POINTS AFTER IT, SO AFTER I'M DONE TYPING THAT PARAGRAPH AND I HIT ENTER, IT'S AUTOMATICALLY GOING TO ADD 12 POINTS AFTER IT. AND, SO, THEN I DON'T HAVE TO ADD THAT EXTRA SPACE. AND THE SAME WITH, YOU'LL SEE IF I LOOK AT -- LET ME SHOW YOU HEADER. OR HEADING. IF I SAY HEADER, JUST KNOW I'M SAYING HEADING. [ Laughter ] IF I RIGHT CLICK ON THAT AND DO MODIFY, YOU SEE RIGHT NOW THERE'S NO TEXT -- THERE'S NO SPACING UNDERNEATH MY -- I HAVE -- I HAVE HEADING 1 THAT CONCEPTUAL FRAMEWORK, THERE'S NO SPACE UNDERNEATH THAT WHOLE THING. SO, WHAT I WOULD HAVE TO DO NORMALLY IF I DIDN'T KNOW ABOUT STYLES, I WOULD HAVE TO ADD -- I WOULD DO A BREAK AFTER IT TO ADD THAT PARAGRAPH RIGHT BELOW IT. INSTEAD, GO TO MODIFY. FORMAT. PARAGRAPH. OKAY, NOW THIS SAYS 30 POINTS ABOVE IT AND FOUR POINTS AFTER IT, SO THERE ACTUALLY MUST BE A LITTLE BIT OF SPACE HERE. AND, AS YOU CAN SEE, OUR MARGIN IS UP HERE AT ONE. SO THERE MUST BE SPACE ABOVE IT ALSO. BUT I'M JUST GOING TO EXAGGERATE IT A LITTLE BIT AND MAKE 18 POINTS BELOW IT. THERE'S MY POINT. SO NOW I'VE CREATED MY HEADING AND I'VE CREATED THE SPACE BELOW WITHOUT HAVING TO ADD A PARAGRAPH BREAK. WHAT HAPPENS IS JAWS WILL -- OR SCREEN READERS WILL RECOGNIZE EVERY SINGLE PARAGRAPH AS A P TAG, A PARAGRAPH TAG. AND IF I HAVE THOSE EXTRA LINE BREAKS IN THERE, THEN WHEN I'M GOING PARAGRAPH TO PARAGRAPH TO PARAGRAPH WITH THE SCREEN READER, I'M GOING TO THAT BLANK PARAGRAPH EVERY TIME. SO I'M NOT READING ANYTHING ON THAT PARAGRAPH. I START AT ONE PARAGRAPH, IT STARTS READING, IT WILL START READING THIS FIRST PARAGRAPH AND THEN IT WILL GET TO THE BLANK, IT WILL SAY -- I'M NOT SURE IF IT SAYS PARAGRAPH, I CAN'T REMEMBER WHAT IT SAYS. >> Ken: I THINK IT DOES SAY PARAGRAPH. >> Collette: DOES IT SAY PARAGRAPH? >> Jamie: PARAGRAPH OR MORE COMMONLY BLANK. >> Collette: YEAH. AND THEN YOU HAVE TO HIT IT AGAIN TO GET TO A PARAGRAPH. SO YOU'VE GOT THE EXTRA LINE. SO IF YOU ADD THE SPACE BUILT IN -- [ Laughter ] -- THEN YOU DON'T -- DOES THAT MAKE SENSE? >> Ken: SO BASICALLY, BY USING THE PROPER TOOLS, YOU'RE MAKING IT SO THAT I CAN USE EVERY TOOL AVAILABLE TO ME WITHIN MY SCREEN READING TOOL. IF YOU DON'T, IF YOU MAKE YOUR OWN, THEN I GET A LOT OF EXTRA BLANKS BLANKS BLANKS BLANKS BLANKS, WE HEAR BLANK A LOT BECAUSE PEOPLE MAKE THEIR OWN STUFF ALL THE TIME AND IF PEOPLE WOULD JUST USE THEIR TOOLS AS THEY'RE DESIGNED TO BE USED, OUR TOOLS ARE DESIGNED TO BE BASED ON THE TOOLS. SO IT WOULD WORK FLAWLESSLY. AND I WOULDN'T GET A BUNCH OF EXCESS JUNK TO HAVE TO DEAL WITH. AND, AGAIN, IF I'M DEALING WITH A ONE-PAGE DOCUMENT, IT'S NOT TOO BAD. BUT IF YOU HAVE MULTIPLE-PAGE DOCUMENTS, 600-PAGE DOCUMENTS, IT GETS PRETTY TEDIOUS TO LISTEN TO BLANK BLANK BLANK FOR -- AND NOT MOVE AT ALL. ALL THE TIME. >> Collette: AND YOU WANT TO REMEMBER THAT EVERYTHING SHE'S TEACHING TODAY AND TELLING YOU ABOUT TODAY, IT GOES WITH ALL OF YOUR DOCUMENTS, WHETHER YOU E-MAIL THEM OUT OR WHETHER YOU'RE PUTTING THEM ON THE WEB BECAUSE WE'RE STILL REQUIRED BY THE ACCESSIBILITY STANDARDS THAT IF I E-MAIL SOMEBODY A DOCUMENT, I DON'T KNOW THAT KEN'S ON THE OTHER END OF THAT DOCUMENT RECEIVING IT BECAUSE, NUMBER ONE, I'M NOT ALLOWED TO ASK HIM, ARE YOU DISABLED AND ARE YOU GOING TO BE ABLE TO READ THIS? YOU KNOW, I'M NOT ALLOWED TO -- I NEED TO JUST MAKE THE ASSUMPTION AS A DEVELOPER OF DOCUMENTS AND THE WEB THAT THE PERSON ON THAT OTHER END PROBABLY HAS A DISABILITY OR COULD POSSIBLY HAVE A DISABILITY. WHETHER IT'S AN ELDERLY PERSON THAT HAS POOR EYESIGHT, WHETHER IT'S KEN OR JAMIE THAT, YOU KNOW, JUST CAN'T ACCESS THE DOCUMENT. SO, IF I SEND AN E-MAIL OUT WITH A DOCUMENT THAT'S NOT ACCESSIBLE, THEY'RE GOING TO SEND ME AN E-MAIL BACK AND SAY, I CAN'T READ THIS DOCUMENT. CAN YOU SEND IT TO ME IN AN ACCESSIBLE FORMAT? NOW, HAD YOU CREATED THE ACCESSIBLE FORMAT WITH THE STYLES AND EVERYTHING INCLUDED RIGHT AWAY, YOUR WORK IS DONE. YOU DON'T HAVE TO REDO THE DOCUMENT, ESPECIALLY IF IT'S A 40-PAGE DOCUMENT. NOW YOU HAVE TO DO IT -- REDO IT THE CORRECT WAY. IF YOU'D DONE IT THE FIRST TIME THE CORRECT WAY, OR YOUR STAFF HAD DONE IT, THEN YOU WOULDN'T BE HAVING TO REDO YOUR WORK. SO IT DOES MAKE IT A LITTLE BIT EASIER. >> WHAT DOES -- WHAT DOES KEN HEAR BEYOND THE HEADINGS LIKE YOU WERE TALKING ABOUT HEADING 1, IF HE'S JUMPING FROM HEADING TO HEADING, IF YOU'RE USING, LIKE, STYLES, LIKE HEADING 2, HEADING 3? >> Collette: IT WILL SAY, I WANT KEN TO PIPE IN, TOO, IF I GET ANYTHING WRONG, IT WILL SAY, THERE ARE SIX -- WHEN HE OPENS A P.D.F. OR A WORD DOCUMENT, IT WILL SAY, THERE ARE SIX HEADINGS IN THIS DOCUMENT. AND THEN I CAN PULL -- I CAN DO A CONTROL ON MY KEYBOARD, BRING UP ALL THE HEADING 1s IN A LIST OR ALL THE HEADING -- ALL THE HEADINGS OR ALL THE HEADING 3s AND I CAN GO FROM HEADING TO HEADING TO READ THEM WHETHER THEY'RE 1, 2, 3s, I THINK IT GOES TO 5, ADOBE ACROBAT GOES TO 5, HE CAN DO IT BY LINKS, I THINK IT'S L. >> Ken: I THINK SO. >> Collette: HE CAN GO FROM LINK TO LINK TO LINK. HE CAN DO TABLES, T, FOR TABLES. GO FROM TABLE TABLE TABLE TABLE. PARAGRAPH. GRAPHIC GRAPHIC GRAPHIC. >> Jamie: LIST LIST LIST. >> Collette: LIST LIST LIST, YEAH, THANK YOU. >> Jamie: IMAGE IMAGE IMAGE. >> Collette: SO THERE'S -- SO, YOU KNOW, THE STYLES THAT YOU'RE CREATING HERE HELP HIM. YUP. >> YEAH. WHEN HE -- IF SOMEONE WERE TO TURN OFF THEIR IMAGES ON THE WEB PAGES, THIS IS A QUESTION WE HAVE ABOUT GRAPHICS, RIGHT NOW WE'RE CREATING THE NAVIGATION TO REFLECT, LIKE, IF WE'VE GOT IMAGES, THAT WILL LINK TO ANOTHER PAGE SO THAT THEY KNOW WHAT THAT IMAGE SAYS AND WHERE IT GOES, BUT IF HE WERE TO TURN OFF THE IMAGES, WOULD HE STILL HERE THE ALT TEXT? >> Collette: WOULD YOU, KEN, I DON'T KNOW? >> Collette: IF I'VE TURNED OFF MY IMAGES ON MY SCREEN, WILL YOU STILL SEE THE ALT TEXT? OR DOES IT IGNORE THE ALT TEXT? >> Ken: YOU KNOW, I DON'T EVEN HONESTLY KNOW THE ANSWER TO THAT QUESTION. >> Jamie: I CAN ANSWER THAT QUESTION. >> Collette: CAN YOU ANSWER IT, JAMIE? >> Jamie: IT DEPENDS ON YOUR -- SO, THIS IS FOR -- ON THE INTERNET? >> YES. >> Jamie: AND YOU'RE JUST USING THE INTERNET AND NOT HAVING A WORD DOCUMENT OR SOMETHING LIKE THAT? >> CORRECT. SO, WE HAVE, LIKE, ICONS THAT MAYBE IF YOU CLICK ON IT, YOU'LL GO TO ANOTHER PAGE. >> Jamie: OKAY, SO YOU'RE JUST SPECIFICALLY TALKING ABOUT A WEB PAGE. >> UM-HUM. >> Jamie: OKAY. IT DEPENDS ON YOUR -- WHAT YOU ACTUALLY CODED YOUR ALT TEXT. IF YOU'RE IN FIREFOX, IT WILL NOT BECAUSE FIREFOX DOES NOT USE ALT TEXT. I MEAN, THE TOOL TIP, IF YOU WERE TO MOUSE OVER IT, THE TOOL TIP WON'T APPEAR. BUT IF YOU TURN OFF YOUR IMAGES, THE ALT TEXT WILL BE THERE. >> OKAY. >> Jamie: AND THEN -- AND THEN THE SAME THING FOR INTERNET EXPLORER. NOW, IF YOU'RE DOING A MOUSE OVER, FOR EXAMPLE, YOU WILL SEE THE ALT TEXT IN INTERNET EXPLORER, BUT IN FIREFOX YOU WILL NOT SEE THE NIFTY LITTLE TEXT THAT POPS UP, THE TOOL TIP. YOU NEED TO CODE IT DIFFERENTLY IN FIREFOX AND THE SAME GOES FOR OPERA AND SO ON AND MOST OTHER BROWSERS EXCEPT FOR INTERNET EXPLORER. MOST OF THEM USE DIFFERENT TAG TO ACTUALLY DISPLAY THE TOOL TIP. AND RIGHT NOW I'M A LITTLE BLANKING OUT, BUT I'D BE HAPPY TO E-MAIL IT OUT. THE ACTUAL CODE. BUT RIGHT NOW I'M JUST, LIKE, BLANKING BECAUSE I'M ON DOCUMENTS, SO, SORRY. >> Tanya: WERE THERE ANY MORE QUESTIONS? THESE ARE GREAT QUESTIONS. AND WE HAVE -- WE'RE HAVING A TRANSCRIPT OF THEM, TOO, SO -- I MEAN, WE CAN MAKE THE TRANSCRIPT AVAILABLE TO HAVE THESE Q & As ON PAPER IF YOU WANT TO HAVE ACCESS TO THEM, TOO, JUST SO YOU KNOW. GOOD QUESTIONS. KEEP THEM COMING. YES. >> Ken: GO AHEAD. >> I DO MOST OF MY WORK IN IN DESIGN, ADOBE IN DESIGN. >> Tanya: IN DESIGN. >> YEAH. I IMPORT A FAIR AMOUNT OF WORD DOCUMENTS AND I EXPORT TO P.D.F. POST. >> Collette: WE HAVEN'T HAD SUPER GREAT LUCK WITH IN DESIGN. PART OF THE REASON, A LOT OF PEOPLE CREATE IN DESIGN WITH -- INSTEAD OF USING THE TEXT WRAP, THEY DO INDIVIDUAL TEXT BOXES FOR EVERYTHING, AND IT WON'T READ THE COLUMNS VERY WELL BECAUSE THEY'RE TEXT BLOCKS -- TEXT BOXES INSTEAD OF CHARACTER FLOW. YOU CAN -- THERE ARE TOOLS WITH ADOBE AND THERE'S OTHER TOOLS IF YOU'RE USING IN DESIGN OR ANOTHER PRODUCT, EVEN WORD, THAT YOU CAN PULL IT UP IN ADOBE AND REFORMAT YOUR TAGS, AND THAT'S WHAT WE HAVE TO DO, EVERY TIME WE HAVE A DOCUMENT, SOMEBODY COMES TO US WITH IN DESIGN, WE HAVE TO REFORMAT IT MANUALLY WITH ADOBE. WE CAN'T USE IT NATIVELY. >> Ken: AND I ALSO ENCOUNTERED A PROBLEM WITH THE DEED LIBRARY. I USE A LOT OF RESEARCH IN MY WORK, AND I HAVE THE LIBRARIAN DO SOME BASIC RESEARCH FOR ME. AND THEN SHE SENDS ME THE LINK TO THE DOCUMENTS. SOME OF THE DOCUMENTS I GET WERE IN P.D.F. AND I COULDN'T READ THEM. AND THEY WERE READING IMPROPERLY. THEY WERE READING SEGMENT BY SEGMENT BUT JUMBLING THEM TOGETHER, IN OTHER WORDS, NOT IDENTIFYING THE COLUMNS, BUT READING IT COMPLETELY ACROSS SO I'D GET PIECES OF COLUMNS AS IF IT WERE ONE SENTENCE. AND THOSE WERE IN DATABASE JOURNAL FILES THAT SHOULD NOT BE THAT WAY. AND WHEN WE DID THE RESEARCH, BECAUSE I COMPLAINED ABOUT THOSE NOT BEING ACCESSIBLE WHEN THEY SHOULD HAVE BEEN ACCESSIBLE, THE RESULT I GOT WAS THEY WERE CREATED IN IN DESIGN. SO, THAT'S THE WORKING PROBLEMS THAT I ENCOUNTER WITH THOSE TYPES OF DOCUMENTS. >> Collette: WHICH IS REALLY INTERESTING BECAUSE IN DESIGN IS AN ADOBE PRODUCT. YOU KNOW? THAT'S UNFORTUNATE. YEAH. >> SO I WORK IN IN DESIGN AS WELL AND THAT'S BECAUSE I'M DOING PUBLICATIONS AND SUCH THINGS. SO, WORD JUST DOESN'T GIVE US THE CAPABILITY TO DO THE DESIGN THAT WE WANT TO DO. WE'VE BEEN RESEARCHING IT. AND THERE ARE SOME THINGS AVAILABLE AND THERE'S SOME INFORMATION ON THE INTERNET ABOUT HOW TO ACTUALLY TAG YOUR DOCUMENT IN IN DESIGN AND YOU CAN INDIVIDUALLY, YOU CAN ACTUALLY PUT IT INTO YOUR STYLES SO THAT IT WOULD KNOW, SAY, HEADING 1 IS ALWAYS YOUR HEADING 1 AND IT WILL PUT THAT IN. IN ADDITION, YOU CAN DO ALT TEXT AND TAGGING THROUGH THE DOC. IT TAKES WORK. DEFINITELY TAKES WORK. IT DOES. IF A USER KNOWS HOW TO USE IN DESIGN PROPERLY AND CAN FLOW THE COLUMNS INSTEAD OF DOING THE TEXT BOXES, THEN GENERALLY IT'S OKAY. MOST USERS OF IN DESIGN AREN'T TRAINED PROPERLY, JUST LIKE MOST USERS OF WORD AND MOST USERS OF EVERYTHING ELSE HAVEN'T HAD FORMAL TRAINING, SO THEY'RE USING -- THEY'RE USING THESE TEXT BOXES AND WEIRD FLOWS AND STUFF LIKE THAT. AND THAT'S WHAT WORD CREATES -- WHERE IT CREATES THE PROBLEM. I DON'T KNOW THAT IT'S NOT THAT IN DESIGN CAN'T DO IT, IT'S JUST THAT THE USER, JUST LIKE IN WORD, HAS TO KNOW HOW TO USE STYLES. >> I WAS GOING TO SAY, YOU'D HAVE TO LEARN HOW TO DO IT. AND THEN WE DEFINITELY USE ACROBAT. WE'RE WORKING ON THIS BECAUSE IT WOULD BE A TIME-CONSUMING CHALLENGE BUT IN ACROBAT YOU CAN DEFINITELY ALSO KIND OF TOUCH THINGS UP. >> Collette: RIGHT, RIGHT. JED. >> THERE'S A GOOD DOCUMENT THAT ONE OF MY CO-WORKERS FOUND THAT USING IN DESIGN C.S.4 AND I CAN SEND THAT TO MOLLY TO ADD TO THE WEBSITE ABOUT THIS PRESENTATION. BUT ONE THING THAT ADOBE ACTUALLY ADMITTED IN THIS DOCUMENT IS THAT THE HEADINGS AND THE ALT TAGS, ONE OF THE OTHER, OR MAYBE BOTH, A FRIEND OF MINE AT THE MET COUNCIL I WAS TALKING WITH ABOUT THIS, THEY'VE HAD A TERRIBLE TIME WITH THIS AS WELL, IS SOMETIMES WHEN YOU DO CREATE THE P.D.F. FILE, IT WILL JUMBLE OR JUST DROP OFF THE ALT TAGS OR THE HEADINGS, ONE OR THE OTHER OR BOTH OF THEM. THEN THE NEXT TIME DO YOU IT, IT MIGHT JUMBLE A DIFFERENT SET OF THEM. SO THERE'S DEFINITELY SOME KIND OF FLAW IN C.S.4 WITH IT NOT DOING THE STUFF RIGHT. EVEN IF YOU SET THE DOCUMENT UP TOTALLY RIGHT, YOU CAN GET A DIFFERENT RESULT THE NEXT TIME YOU CREATE IT. SO, THAT WOULD SEEM LIKE THAT'S SOMETHING THAT'S, YOU KNOW, ADOBE OBVIOUSLY WILL BE ADDRESSING IN THE FUTURE, BUT IT'S DEFINITELY A PROBLEM AND YOU ALWAYS HAVE TO GO INTO ACROBAT AFTERWARDS AND DOUBLE-CHECK. >> Collette: AND YOU CAN -- YOU CAN MAKE A COMPLETELY INACCESSIBLE DOCUMENT ACCESSIBLE WITH ACROBAT, YOU KNOW, AFTER THE FACT. IT'S MUCH MORE DIFFICULT, BUT YOU CAN DO IT. YEAH. >> I WAS WONDERING, WHAT ABOUT IF YOU EXPORT A TEXT FROM ADOBE, YOU CAN EXPORT TEXT ONLY? DO YOU KNOW, KEN OR JAMIE? >> Collette: TO GET INTO A WORD DOCUMENT. >> JUST A TEXT. IT'S PLAIN TEXT. >> Collette: A TEXT FILE IS FINE. A TXT -- A TXT IS FINE, EXCEPT THAT THERE'S NO STYLES ASSOCIATED WITH IT. >> THERE'S NO STYLES. >> Collette: THERE'S NO STYLES ASSOCIATED WITH IT, SO IF I'VE GOT A DOCUMENT THAT'S A TXT, THAT'S MORE THAN ONE PAGE, LIKE KEN SAID, IT MAKES IT DIFFICULT TO READ. IT'S NOT -- IT'S ACCESSIBLE BUT IT'S NOT USABLE. BECAUSE I'M NOT ABLE TO NAVIGATE IT. >> DO YOU THINK POSSIBLY LIKE, I DON'T KNOW, WERE YOU TALKING ABOUT IN DESIGN? >> RIGHT. IF YOU TAKE A FILE FROM IN DESIGN AND YOU CREATE A P.D.F., IF YOU SET YOUR IN DESIGN UP CORRECTLY WITH THE HEADINGS AND THEN YOU CREATE A P.D.F., YOU CAN EXPORT THAT P.D.F. TO TEXT ONLY. >> YOU COULD ALSO EXPORT IT FROM IN DESIGN TO A WORD DOCUMENT AND ASK IT TO RETAIN THE STYLES. AND POSSIBLY, IF YOU NAMED THE STYLES LIKE HEADING 1, HEADING 2, WE DO A LOT OF BACK AND FORTH, IF YOU NAMED IT THE WORD FILE. >> Collette: YOU WOULD PROBABLY LOSE YOUR IN DESIGN FORMATTING. YOU KNOW, IN DESIGN'S A MUCH BETTER LAYOUT PROGRAM. >> IT'S NOT GOING TO LOOK PRETTY. BUT IF IT MAINTAINS THE STYLES. >> THE TEXT STYLES BECAUSE YOU CAN GO BETWEEN THE TWO. >> Collette: YOUR TEXT STYLES WOULD BE SAVED BUT YOU'D HAVE TO REFORMAT THE PRETTINESS, IF THAT'S YOUR GOAL. WE JUST RECOMMEND PEOPLE, ESPECIALLY COLUMNS, WE JUST RECOMMEND PEOPLE USE ONE COLUMN EVERYTHING ANYWAY. IF YOU'RE ON THE WEB, WE ALL KNOW, DOCUMENTS THAT ARE THREE COLUMN ON THE WEB, WE'RE TRYING TO NAVIGATE, WE HAVE TO READ, SCROLL DOWN, SCROLL BACK UP, READ, SCROLL DOWN, SCROLL BACK UP, READ, SCROLL BACK DOWN. WE PREFER OUR AGENCY JUST USES ONE COLUMN ANYWAY, SO THAT HELPS THAT IN DESIGN PROBLEM, YOU KNOW, TRYING TO READ ACROSS COLUMNS. >> Jamie: I JUST WANTED TO ADD THAT YOU'RE TALKING ABOUT C.S.4, ADOBE HAS UPDATED JUST RECENTLY TO C.S.5. SO, I HAVEN'T ACTUALLY USED C.S.5, SO, I CAN'T SAY IF THEY FIXED THE PROBLEM, BUT THEY HAVE JUST POSTED THE INFORMATION -- THEY HAVEN'T YET UPDATED, UNFORTUNATELY, BUT YOU CAN FIND A FEW HELP FILES ON THE INTERNET ABOUT IT. >> Collette: AND ON USING -- I'M USING C.S.5, I'M STILL HAVING THE SAME ISSUES. >> Jamie: THANK YOU. >> Tanya: ANY MORE QUESTIONS? ALL RIGHT. YES. >> ON THE TOPIC OF EXPORTING, WERE YOU EXPORTING THE WORD DOCUMENT, P.D.F., THERE'S A PLUG IN THAT COMES WITH MICROSOFT THAT ALLOWS YOU TO EXPORT TO P.D.F. OR THERE'S ONE FOR ADOBE PRINTER. WHICH DO YOU RECOMMEND? >> Collette: RIGHT. I DON'T RECOMMEND YOU MAKING ANY P.D.F. DOCUMENT OUT OF ANYTHING UNLESS YOU HAVE ADOBE PRO OR ADOBE STANDARD. IF YOU'RE JUST USING THE PRINT TO P.D.F., IT DOES NOT CREATE AN ACCESSIBLE P.D.F. IT DOESN'T BRING OVER ALL THE HEADINGS, IT DOESN'T CHANGE YOUR LANGUAGE TO ENGLISH, IT DOESN'T ALLOW ME TO MANIPULATE. WE HAVE QUITE A NUMBER OF LICENSES IN OUR AGENCY OF STANDARD AND PRO. AND WE DON'T PUT ANYTHING ON THE WEB THAT HASN'T BEEN CREATED BY MYSELF OR MY CO-WORKER BECAUSE WE HAVE THE TOOLS AND WE HAVE THE -- THERE'S MORE SETTINGS -- WHEN YOU CREATE A WORD DOCUMENT, THERE'S MORE SETTINGS IN ADOBE THAT YOU HAVE TO SET, TOO, TO CREATE THAT ACCESSIBLE DOCUMENT. JUST PRINTING IT TO A P.D.F. DOESN'T MAKE AN ACCESSIBLE DOCUMENT. YOU NEED TO OPEN UP STANDARD OR PRO, MAKE ADDITIONAL CHANGES IN YOUR PREFERENCES, THAT ALLOW IT TO DO IT. SO, WE -- THE PLUG-IN -- ONE SECOND, JAMIE -- THE PLUG-IN, WORD HAS A PLUG-IN THAT YOU CAN NOW DOWNLOAD. AND I HAVEN'T USED THAT PLUG-IN. SO I DON'T KNOW HOW WELL THAT WORKS. ADOBE ITSELF RECOMMENDS THAT YOU JUST USE STANDARD OR PRO ALSO BECAUSE YOU CAN MAKE THOSE ADJUSTMENTS ON THOSE SETTINGS. YUP, JAIMIE. >> Jamie: YUP, THIS IS JAMIE. I WAS JUST GOING TO SAY THE PRINT TO P.D.F. IS TOTALLY NOT -- TOTALLY NOT ACCESSIBLE, BUT THE ACTUAL -- THE ACTUAL, FOR 2007 PLUG-IN TO MAKE ACCESSIBLE DOCUMENTS IS REASONABLE IF YOU HAVE DONE ABSOLUTELY PERFECT ONE COLUMN, YOU HAVEN'T DONE ANY MODIFICATION OF THE STYLES, JUST DEFAULT STUFF, AND IT'S MUCH BETTER THAN -- PRINT TO P.D.F., MUCH BETTER, DON'T GET ME WRONG, AND IT IS FREE. BUT YOU DEFINITELY WANT TO BE CAREFUL ABOUT THAT. >> Collette: WORD 2010 IS ALSO COMING OUT, AND THEY CLAIM THAT THEY'RE GOING TO BE MORE ACCESSIBLE ALSO. I HAVEN'T HAD A CHANCE TO USE WORD 2010 YET, BUT I WOULD IMAGINE THEY'RE GOING TO BE BETTER. I DON'T KNOW TO WHAT LEVEL. >> WE TESTED IT A LITTLE BIT AND, ACTUALLY, THERE ARE SOME PROBLEMS WITH CREATING P.D.F.s. IF YOU DO IT ONE WAY, TO PRINT, WHERE YOU WANT A REALLY LARGE DOCUMENT, IT WON'T TAG IT. IF YOU DO IT ANOTHER WAY TO PUT IT ON THE WEB, IT WILL. SO, I THINK PEOPLE ARE GOING TO HAVE TO CREATE TWO SEPARATE DOCUMENTS IF THEY'RE GOING TO PUBLISH AND PRINT. AND THEY'RE FIGHTING IT OUT BETWEEN ACROBAT AND MICROSOFT RIGHT NOW. >> Collette: SO 2012. [ Laughter ] >> Tanya: OKAY. GREAT. SO, ARE WE READY TO MOVE ON FROM STYLES? ARE THERE ANY MORE QUESTIONS? STYLES ARE REALLY LIKE THE MOST IMPORTANT THINGS, SO THOSE ARE EXCELLENT QUESTIONS. I REALLY APPRECIATE IT. I'M SO GLAD THAT WE HAVE CART SERVICES HERE TO CAPTURE THE QUESTIONS AND THE ANSWERS. THAT'S REALLY GREAT. OKAY. SO, PRINCIPLE 3, PRETTY SIMPLE. DON'T RELY ON COLOR TO CONVEY MEANING. CONVEY MEANING. AVOID COLOR TEXT TO SIGNAL IMPORTANCE. PEOPLE, LIKE, FOR EXAMPLE, WITH COLOR BLINDNESS, WILL NOT KNOW WHAT TEXT IS IMPORTANT IF IT IS ONLY INDICATED BY COLOR TEXT. I BET SOME PEOPLE IN THE ROOM PROBABLY SOMETIMES HIGHLIGHT -- OR NOT HIGHLIGHT -- BUT COLOR A CERTAIN SENTENCE THAT'S REQUIRED TO DO THIS IN RED AND PUT AN ASTERISK BY IT OR SOMETHING LIKE THAT. DO YOU GUYS DO THAT? >> Collette: BUT THAT'S OKAY, AS LONG AS YOU'VE GOT THE ASTERISK SOMEWHERE ON THE DOCUMENT YOU'VE SAID, FIELDS WITH AN ASTERISK ARE MANDATORY BECAUSE JAWS WILL READ THE ASTERISK. AND IT'S OKAY TO COLOR IT AS LONG AS YOU SAY, IMPORTANT NEWS, AS LONG AS -- AND IT CAN BE COLORED, TOO, AS LONG AS IT SAYS IMPORTANT NEWS. DOES THAT MAKE SENSE? >> Tanya: DOES THAT MAKE SENSE? >> SO IS THAT AN ALT TEXT THING OR IS THAT SOMETHING DIFFERENT? >> Tanya: NOT AT ALL. IT'S BASICALLY, DON'T -- IF YOU HAVE JUST REGULAR TEXT -- HAVE YOU EVER PRINTED OFF SOMETHING WHERE YOU COLORED THE TEXT A CERTAIN COLOR BUT IT COMES OUT A BLACK BECAUSE YOU CAN ONLY PRINT IN BLACK AND WHITE? YOU KNOW -- YOU'RE LIKE, OH, OKAY, THAT SENTENCE WAS SUPPOSED TO BE PURPLE BUT IT CAME OUT BLACK ON THE PRINTER. THAT'S THE SAME EXACT CONCEPT WITH, FOR EXAMPLE, SOMEBODY WITH COLOR BLINDNESS. HOW WOULD YOU KNOW? YOU CAN USE THE COLOR -- HOW WOULD YOU KNOW THAT THAT CERTAIN SENTENCE IS MORE SIGNIFICANT THAN THE REST OF THEM? IT'S KIND OF THAT EMPHASIS, AGAIN. IF YOU PUT AN ASTERISK -- AND YOU CAN ALSO COLOR IT, BUT YOU NEED TO INDICATE THAT IT'S -- YOU NEED REDUNDANCY IN THAT SENTENCE. YOU CAN COLOR IT FOR A VISUAL PERSON BUT ALSO HAVE TO HAVE SOME OTHER TYPE OF INDICATION VIA AN ASTERISK OR SAYING, THIS IS IMPORTANT, OR REQUIRED, SOMETHING LIKE THAT THAT SOMEONE NONVISUALLY CAN UNDERSTAND THAT IT'S IMPORTANT. >> Collette: LIKE A FORM. WE'VE ALL SEEN FORMS THAT SAY, FILL OUT ALL THE FIELDS THAT ARE COLORED RED. WELL, IF I CAN'T -- IF I'M COLOR BLIND OR I'M USING JAWS, HOW DO I KNOW WHICH ONES ARE RED? THAT'S KIND OF THE SIGNIFICANCE THERE. >> Tanya: SEEMS PRETTY BASIC, RIGHT? I DON'T KNOW WHY, JUST FORGET TO THINK ABOUT THESE THINGS. PRINCIPLE 4, JAMIE REALLY TALKED ABOUT HOW IMPORTANT THIS WAS FOR HER IN HER TOP THREE. USE ALT TEXT TO EXPLAIN INFORMATION IN IMAGES, PICTURES, CHARTS OR GRAPHS. HOW MANY PEOPLE IN THE ROOM USE ALT TEXT BEFORE? SO, ALMOST EVERYBODY. SO PRETTY MUCH KNOW -- SO, ONE QUESTION THAT COMES ACROSS WHEN THE DISCUSSION OF ALT TEXT COMES UP IS, WELL, WHAT SHOULD I WRITE? OR HOW LONG SHOULD IT BE? OR HOW SHORT? YOU KNOW. WHAT SHOULD IT SAY? AND I THINK THAT IT DEPENDS ON THE PURPOSE OF THE PICTURE AND THE TEXT SURROUNDING THE PICTURE. AND IT'S ALMOST LIKE SORT OF AN ART IN A SENSE OF THE BALANCE OF HOW MUCH INFORMATION YOU PUT AND, OF COURSE, OF THE -- THE PURPOSE IS TO -- WELL, YOU MUST REALLY HAVE IT OTHERWISE WHOEVER IS USING A SCREEN READER HAS NO CLUE WHAT KIND OF IMAGE IT IS. I MEAN, IS IT AN IMPORTANT IMAGE OR IS IT LIKE A SCANNED P.D.F. THAT COMES OUT AS AN IMAGE THAT IS CRITICAL NOTICE TO ALL STAFF IN THE AGENCY EFFECTIVE IMMEDIATELY OR SOMETHING LIKE THAT? YOU KNOW, HOW WOULD YOU KNOW IF IT WAS JUST THIS FRIVOLOUS, YOU KNOW, LIKE, IMAGE OF A PICTURE OF A BALL VERSUS A VERY IMPORTANT DOCUMENT? I MEAN, I THINK IN THE SCREEN READER, IT COMES ACROSS THE SAME EXACT WAY IF THERE'S NO ALT TEXT. QUESTION. >> YEAH. WE'VE BEEN USING A BLANK WHEN IT DOESN'T, SAY IT'S A PICTURE OF A FLOWER, JUST ONE SPACE BECAUSE WE'VE BEEN TOLD THAT THAT WILL -- THE SCREEN READER WILL THEN SKIP IT BECAUSE IT'S NOT SOMETHING, YOU KNOW, WHO WANTS TO READ PICTURE OF FLOWER, IS THAT CORRECT OR NOT? >> Tanya: KEN, COME UP. JUST WANT TO ASK KEN. >> Ken: AS FAR AS BEING EXPEDIENT, THAT'S FINE, IF THAT'S WHAT YOUR PURPOSE IS, BUT THE LAW SAYS THAT THINGS NEED TO BE EQUALLY ACCESSIBLE. AND BY YOU CREATING A BLANK IN THAT SPACE FOR ME, THAT'S NOT MAKING IT EQUAL FOR ME. I SHOULD BE ABLE TO GET THE SAME THING THAT ANYBODY ELSE GETS. >> WELL, THE REASONING IS THAT YOU DON'T WANT TO HEAR -- YOU WOULDN'T WANT TO HEAR A BUNCH OF GRAPHIC OF A LITTLE GIRL. >> Ken: IT DOESN'T MATTER WHAT THE REASON IS. I UNDERSTAND THE REASON, I UNDERSTAND THE LOGIC. BUT I WANT TO KNOW WHAT'S ON THAT PAGE. JUST LIKE A SIGHTED PERSON SHOULD BE ABLE TO SEE WHAT'S ON THAT PAGE. LET ME MAKE THE DECISION THAT IT'S A REDUNDANCY OR IT'S A -- A BORING THING. THAT'S NOT A DECISION FOR SOMEBODY ELSE TO MAKE ABOUT ME. SO, I SHOULD BE ABLE TO ACCESS WHATEVER IS THERE. >> OKAY. THAT'S WHY I'M ASKING BECAUSE SOMEBODY TOLD US THAT THAT'S WHAT WE SHOULD DO, THAT THEN THE REARED, YOU KNOW, THE SCREEN READER WOULD JUST SKIP IT. THAT'S INCORRECT? >> Ken: YEAH. AND ORIGINALLY, THERE WERE A LOT OF -- WHEN WE FIRST STARTED ACCESSIBILITY AWARENESS, A LOT OF PEOPLE WERE MAKING ALTERNATE WEBSITES THAT WERE TEXT ONLY, SO IF YOU WERE VISUALLY IMPAIRED AND YOU JUST WANTED A TEXT VERSION OF THE SAME SITE PRESS HERE AT THE TOP OF THE PAGE, THOSE ARE NOT EQUALLY ACCESSIBLE. I MEAN, THEY DON'T -- THEY DON'T PROVIDE THE SAME EQUAL INFORMATION, THE SAME PROCESS OF INFORMATION TO ME THAN THEY DO TO ANYBODY ELSE. SO, REMOVING ALL OF THE PICTURES REMOVES IMAGES AND PIECES OF THAT CONTENT THAT SOMEBODY ELSE GETS AND WHY SHOULD I HAVE A STRIPPED-DOWN VERSION OF THAT SITE JUST BECAUSE IT'S EASIER FOR MY MACHINE TO READ OR IT'S LESS CUMBERSOME? THAT'S A DECISION I NEED TO MAKE. BUT IF I NEED -- BUT I NEED TO BE GIVEN THAT INFORMATION TO BE ABLE TO HAVE THAT KIND OF A DECISION ANYWAY. SO, YOUR FALL-BACK CHOICE SHOULD ALWAYS BE, IF IT'S THERE, IT NEEDS TO BE THERE FOR EVERYBODY. OKAY? >> THANK YOU. >> Ken: IN REGARDS TO HOW DO YOU CREATE THE PROPER ALT TAG FOR SOMETHING, LIKE TANYA SAID, IT REALLY IS AN ART. AND YOU GET BETTER WITH TIME, BUT ONE THING THAT I ALWAYS SUGGEST PEOPLE DO IS LOOK AT THAT ALT TAG AND GIVE IT -- READ IT TO SOMEBODY, AND GIVE THEM SOME CHOICES OF WHAT THAT MEANS TO THEM. ASK THEM, WHAT DOES THAT MEAN TO YOU? HAVE THEM DESCRIBE THAT. AND IF THEY CAN DESCRIBE THE ITEM THAT YOU'RE TRYING TO DESCRIBE, THEN IT'S A PRETTY GOOD ALT TAG. BUT IF THEY CAN'T, THEN IT'S NOT. THE THING THAT AGGRAVATES ME NO END IS TO GET SOMETHING THAT SAYS IT'S A PICTURE OF A MAN. OKAY. IT TELLS ME SOMETHING, BUT IT DOESN'T TELL ME ANYTHING ELSE. NOW, IF IT'S NOT IMPORTANT, WHY IS THE PICTURE EVEN THERE? SO THAT'S THE QUESTION THAT NEEDS TO BE ASKED. SO, THERE'S -- IF YOU'RE GOING TO HAVE SOMETHING, AN IMAGE OR A PICTURE OF SOME TYPE, THEN THE ALT TAG SHOULD REFLECT ACCURATELY WHAT THAT IS. OKAY? >> Tanya: ANY MORE QUESTIONS? >> Ken: ANY MORE QUESTIONS? >> CAN I JUST FOLLOW UP, I HAVE A QUICK QUESTION ON THAT. THAT IS, I UNDERSTAND THE MOTIVATION OF PUTTING SOMETHING IN THAT KIND OF SKIPS WHAT IS ESSENTIALLY A NONNUTRITIVE DESIGN ELEMENT ON A PAGE, OKAY. AND I UNDERSTAND YOUR POINT. SO, THE QUESTION IS, IF SOMEONE IS PUTTING SOME -- IS THERE SUPPLEMENTARY CODING, YOUR POINT IS, I SHOULD BE THE ONE WHO DECIDES WHETHER I LOOK AT THIS IMAGE OR SKIP IT. RIGHT? >> Ken: RIGHT. >> SO, IN CREATING AN ACCESSIBLE DOCUMENT LIKE THIS, IS THERE AN UNDERLYING CODING THAT JAWS PICKS UP THAT GIVES YOU THE OPTION OF LOOKING AT IT OR SKIPPING IT? >> Ken: YES. >> THAT WOULD BE HELPFUL TO KNOW WHAT THOSE THINGS ARE SO THAT THEY COULD BE IMPLEMENTED THEN. >> Ken: I DON'T KNOW WHAT THE COMMAND IS, BUT I DO KNOW IN JAWS, MAYBE YOU KNOW, JAMIE, BUT THERE IS A COMMAND TO SKIP IMAGES. AND -- SO THAT AS I'M READING A PAGE, MY JAWS, IF IT'S ON AUTOMATIC READ, IT WILL SKIP THAT. IT DOESN'T SKIP THE ALT TAGS, BUT IT WILL SKIP IMAGE. >> YEAH, I'M JUST THINKING, YOU KNOW -- >> Collette: IT'S NOT AN ACTUAL CODING. YOU DON'T NEED TO PUT A CODING IN. THE CONTROLS WITHIN JAWS, THE JAWS USER CAN -- >> THE INDIVIDUAL USER SETS THAT UP. >> Ken: THAT'S WHERE I CAN CHOOSE TO BYPASS THAT, THAT'S MY CHOICE. >> YEAH. OKAY. SO THERE'S THE OVERRIDING THE MACHINE AND THEN YOU CAN -- >> Ken: RIGHT. >> SO THE PRESUMPTION, THEN, IS JUST MAKE THE TAG AND THE INDIVIDUAL USER DECIDES WITH THEIR TECHNOLOGY WHETHER THEY WANT TO SKIP IT OR NOT. >> Ken: EXACTLY. EXACTLY. >> Jamie: THIS IS JAMIE SPEAKING. I JUST WANT TO ADD, FOR SOMEONE WHO'S USING SCREEN MAGNIFICATION AND CAN ONLY SEE PART OF THE PICTURE AT ONE TIME, THE ALT TEXT CAN BE VERY BENEFICIAL SO THAT THEY KNOW, CAN GET A BETTER GRIP OF WHAT THIS WHOLE ENTIRE IMAGE WILL BE EVENTUALLY. SO THEY CAN CONCEPTUALIZE AND PIECE IT IN THEIR BRAIN BETTER. SO, IT'S NOT JUST FOR SCREEN READER USERS THAT ALT TEXT IS BENEFICIAL. IT'S VERY BENEFICIAL FOR SCREEN MAGNIFICATION USERS AS WELL. >> Ken: GOOD POINT. THE OTHER THING I DID WANT TO MENTION WAS, IT'S A REALLY INTERESTING PROCESS THAT WE'RE GOING THROUGH, ESPECIALLY FOR SEASONED JAWS USERS, FOR THE LONGEST TIME, JAWS HAS BEEN AROUND FOR A LONG TIME, AND IT GETS MORE SOPHISTICATED EVERY YEAR WHEN THE NEW UPDATE COMES OUT AND THE NEW UPDATE GETS IMPLEMENTED, THERE'S NEW TOOLS AND NEW SHORTCUTS ALL THE TIME ADDED TO IT. BUT BECAUSE ACCESSIBILITY WAS NEVER VERY IMPORTANT TO THE AVERAGE WEB DESIGNER FOR THE LONGEST TIME, NONE OF OUR SPECIALIZED COMMANDS, LIKE JUMPING FROM HEADER TO HEADER, NAVIGATING THROUGH A DOCUMENT BY PULLING UP ALL OF THE LINKS OR ALL OF THE TABLES TOGETHER, THOSE NEVER WORKED FOR US. SO, THERE ARE A LOT OF PEOPLE THAT USE SCREEN READERS THAT HAVE FORGOTTEN HOW TO USE THOSE SHORTCUTS BECAUSE FOR A LONG TIME THEY NEVER WORKED. SO, IF YOU USE SOMETHING AND IT NEVER WORKS, AFTER A WHILE, YOU DON'T USE IT ANYMORE AND THEN YOU FORGET TO USE IT. SO, WHAT HAS HAPPENED IS, THERE'S A LOT OF, I DON'T WANT TO SAY ILLITERATE, BUT A LOT OF POOR JAWS USERS OUT THERE BECAUSE FOR SO LONG WE COULDN'T USE THE TOOLS THAT WERE THERE FOR US. IT DIDN'T WORK. THEY DIDN'T WORK. BECAUSE OF THE WAY PEOPLE CREATED INACCESSIBLE SITES AND INACCESSIBLE DESIGNS. NOW THAT THERE'S A GREAT EMPHASIS IN MINNESOTA, YOU ARE GOING TO CREATE SOME OF THE BEST JAWS USERS AND SCREEN READER USERS AROUND BECAUSE NOW WE'RE GOING TO BE ABLE TO USE ALL THOSE TOOLS THAT ARE THERE FOR US TO USE. AND, SO, THERE'S GOING TO BE A LEARNING CURVE ON BOTH SIDES OF THE TABLES, I GUESS, IS MY POINT. BUT IT'S JUST KIND OF AN INTERESTING CHAIN OF EVENTS THAT HAS HAPPENED. PLEASE, THOUGH, KEEP THEM COMING BECAUSE USE ALL THE TOOLS. >> I HAVE A QUESTION. >> Ken: GO AHEAD. >> IN REGARD TO WEB PAGES AND ALT TEXT, THE CODING FOR ALT TEXT ALLOWS US TO DESCRIBE PICTURE FOR IMAGES, FILE WITH IMAGES, BUT WHAT ABOUT THE CASCADING STYLE SHEET THAT ALLOWS YOU TO ADD IMAGES IN THE BACKGROUND, THE DIVIDER, OR DIV, IT DOESN'T HAVE THE ALT TEXT IN THERE. I'M WONDERING, SHOULD WE DESCRIBE THE BACKGROUND, SOME AREAS? LIKE THE BACKGROUND OF THE PAGE. >> YOU MEAN LIKE A WATER MARK SOMEWHERE? >> YEAH, YEAH. WATER MARK OR A BOX WITH A BACKGROUND, GRADIENT BACKGROUND USING IMAGES. I DON'T SEE ANY PLACE -- >> Collette: THERE'S REALLY NOT -- IN YOUR C.S.S., THERE'S REALLY NOT A PLACE FOR YOU TO DO ALT TEXT. AND WHAT -- I THINK WHAT YOU'RE DESCRIBING IS A BACKGROUND IMAGE THAT'S ASSOCIATED WITH A BULLET OR A HEADER. >> YEAH. LET'S SAY A CUSTOM BULLET, A FLOWER BULLET, AND IT'S CREATED IN A C.S.S. FILE. AND SHOULD WE MAKE AN ALT TEXT FOR IT? OR PICTURE OF A FLOWER? >> Ken: NO. THOSE COME ACROSS. THOSE ARE READ LIKE A FLOWER BULLET. >> Collette: WELL, THIS IS DIFFERENT. THIS IS A LITTLE -- THIS IS MORE DEVELOPER TECHNOLOGY VERSUS STANDARD WEB. I DON'T. I MEAN, IF IT'S A BULLET AND IT SAYS LIST, IT WILL SAY LIST. AND THEY ALREADY KNOW THAT IT'S A LIST FOR A BULLET. SO THEY ALREADY -- KEN WILL ALREADY KNOW THAT THERE'S A ROUND BULLET NEXT TO IT OR SOMETHING. HE WILL ALREADY KNOW THAT IF IT'S A BULLETED LIST, THERE'S A BULLET IN FRONT OF IT. FOR BACKGROUND IMAGES, LIKE THAT, YOU REALLY CAN'T DO TOO MUCH WITH THE ALT TEXT. BUT IT'S BACKGROUND IMAGES AND THERE'S REALLY NOT MUCH YOU CAN DO IN THE C.S.S. AND I THINK C.S.S.3, THOUGH, THE NEW C.S.S., I BELIEVE HAS THE ABILITY TO ALT TEXT IMAGES IN THE C.S.S. I BELIEVE. >> Ken: I KNOW FOR MYSELF, I WOULD SUGGEST, AND RECOMMEND THAT THOSE TYPES OF THINGS IN THE BACKGROUND, ALTHOUGH THEY MAY LOOK PRETTY TO PEOPLE THAT ARE COMPLETELY VISUAL PEOPLE, THEY CAUSE NOTHING BUT PROBLEMS FOR US VISUALLY-IMPAIRED INDIVIDUALS. SOMETIMES WE NEED TO -- WE MIGHT HAVE A PHOTOGRAPH OF THAT PAGE THAT WE NEED TO SCAN, IT MESSES UP THE SCANNER, IT MESSES UP A LOT OF THINGS FOR US. SO, TO JUST -- FOR THE SAKE OF HAVING IT THERE TO MAKE IT LOOK VISUALLY APPEALING, YOU'VE REALLY GOT TO DETERMINE FOR YOURSELF HOW IMPORTANT THAT IS. I'D LIKE TO HEAR WHAT AMY -- I MEAN, WHAT JAMIE HAS TO SAY ABOUT BACKGROUND IMAGES UNDERNEATH TEXT AND STUFF. HOW DOES THAT FOR SOMEBODY WHO'S GOT PARTIAL SIGHT TO USE? JAMIE. >> Jamie: THIS IS JAMIE SPEAKING. THE BEST PRACTICE FOR THAT IN TERMS OF, THERE'S TWO DIFFERENT ELEMENTS HERE, YOU HAVE A WEB PAGE WHICH HAS A LOT MORE FLEXIBILITY THAN A WORD DOCUMENT, IN TERMS OF BACKGROUND IMAGES, YOU DO WANT TO BE CAREFUL, IN TERMS OF WORD BECAUSE, UNFORTUNATELY, WHEN YOU ADD SHADING TO DOCUMENT, THAT SHADING IS BACKGROUND SHADING, I MEAN, LIKE CREATING A BOX AND COLORING IT ONE COLOR, THAT BOX, ONLY THE TEXT WITHIN THAT BOX ACTUALLY CONVERTS TO ANOTHER COLOR. SO, WHAT HAPPENS IS ACTUALLY YOU CAN EXPERIENCE IT AS WELL IF YOU GO TO CONTROL PANEL, ACCESSIBILITY, GO TO DISPLAY, THEN USE HIGH CONTRAST, BLACK TEXT, WHITE TEXT ON BLACK OR GREEN TEXT ON BLACK, YOU CAN ACTUALLY EXPERIENCE A LITTLE BIT OF WHAT HAPPENS. YOU'LL NOTICE THAT THE TEXT INVERTS, BUT THE BACKGROUND IMAGE DOES NOT. THAT COLOR DOES NOT. SO, THERE'S A LITTLE BIT OF IFFY THERE. BUT IN TERMS OF A WEB PAGE, IT'S BEST PRACTICES NOT TO USE A GRAPHICAL IMAGE BEHIND TEXT BECAUSE IT DOES BECOME PROBLEMATIC, ESPECIALLY LIKE A PICTURE OF A FLOWER, FOR EXAMPLE, WITH TEXT OVER IT. OKAY. IF -- IT BECOMES PROBLEMATIC IN TERMS OF TRYING TO BE ABLE TO DISCERN THE ACTUAL LETTERS. AND ALSO THE BACKGROUND IMAGE DOESN'T CONVERT TO A DIFFERENT FONT AUTOMATICALLY. SO, IF YOU HAVE WHITE TEXT ON BLACK -- WELL, LET'S SAY YOU DESIGN YOUR PAGE, I CAN SAY IGNORE COLORS, IGNORE FONT SIZES, BUT IF YOU PUT AN IMAGE THERE, IT WILL NOT IGNORE THAT. SO, IT'S SOMETHING TO BE AWARE OF. BUT IF YOU CODE IT IN C.S.S., AND I DISABLE C.S.S., YOUR PAGE SHOULD BE ABLE TO WORK WITHOUT THE C.S.S., I WOULD HOPE. SO, THAT'S ANOTHER WORKAROUND FOR ME TO USE, BUT, LIKE I SAID, BEST PRACTICES WOULD BE TO MAYBE MAKE A BORDER AROUND THAT WITH THE VISUAL ELEMENT OR SOMETHING LIKE THAT. BUT -- OKAY. THAT'S WHAT I'M GOING TO SAY. >> Tanya: THANKS, JAMIE, IT LOOKS LIKE WE'RE GETTING CLOSE TO WRAPPING IT UP. BUT EVEN THOUGH WE HAVEN'T GONE THROUGH EVERYTHING, AGAIN, LIKE I WILL PROVIDE THE SLIDES AND THEY WILL BE ON INTERSECT'S WEBSITE. AND I DO GIVE SOME KIND OF LEVEL OF DETAILS ON HOW TO DO IT. AND I AM DIRECTING YOU GUYS TO THE SOCIAL SECURITY ADMINISTRATION'S GUIDELINES ON HOW TO CREATE ACCESSIBLE DOCUMENTS AND P.D.F.s BECAUSE THEY'RE -- IT'S VERY VERY GOOD, AT LEAST IN MY OPINION. AND IT'S THOROUGH. I MEAN, IT SAYS -- IT'S AS COMPLETE AS I -- IT'S BEYOND EVEN WHAT I WOULD HAVE BEEN ABLE TO DO. SO I'M REALLY GOING TO DIRECT YOU THERE. >> DO YOU HAVE THAT ALREADY? >> Tanya: I DO. I WANT TO SHOW YOU AN EXAMPLE OF IT. AND IN THE SLIDES I HAVE THE LINK TO IT. LET ME JUST GO THROUGH THE REST OF THE PRINCIPLES REAL QUICK. USE BUILT-IN FORMATTING FEATURES FOR COLUMNS. I'M PRETTY SURE THAT YOU GUYS KNOW HOW TO USE COLUMNS IN REGULAR WORD. BE JUDICIOUS WITH TABLES. YOU KNOW, USE TABLES FOR WHAT THEY'RE USED FOR. AND IF YOU CAN JUST DO BULLETED LISTS INSTEAD, DO THAT. TABLES ARE REALLY FOR DATA. AND IF YOU DO HAVE A TABLE, MAKE SURE THAT YOU ASSIGN THE HEADER ROW AT THE TOP OF EACH PAGE. AND THERE'S SOME INSTRUCTIONS ON HOW TO DO THAT WITHIN THE SLIDE. AND THE LOGIC IS JUST SO THAT, I'M SURE YOU'VE ALL WORKED WITH TABLES, BUT IF YOU GO THROUGH, YOU KNOW, YOU FORGET WHAT THE TOP ROW WAS, SO, IT'S GOOD TO KEEP IT GOING. DON'T RELY ON SOUND. OF COURSE, CAPTIONING AND TRANSCRIPTS ARE CRITICAL. YOU USUALLY JUST PUT THE VIDEO IN A POWERPOINT OR ELSE ON YOUR WEB PAGE. AND, OF COURSE, JAMIE HAS ALREADY DIRECTED US TO AN ONLINE CAPTIONING TRAINING THAT THEY'VE PUT TOGETHER THROUGH THIS PROJECT. ON OUR WEBSITE, WE'LL HAVE LINKS TO THAT, TOO. AND I'LL INCLUDE IT ON THE POWERPOINT WHEN I SEND IT TO YOU GUYS, THE LINK TO THAT. AND BE CLEAR AND BRIEF. I THINK YOU KIND OF GET THAT, RIGHT? USE JUDICIOUS -- BE JUDICIOUS WITH WORD CHOICES, USE SHORT SENTENCES, BE CONSISTENT. HAVE YOU GUYS EVER MADE AN R.F.P., I WORKED ON R.F.P. LAST WEEK, OH, MY GOSH, THAT THING WAS, LIKE, 79 PAGES AND IT WAS AN UNORGANIZED HODGEPODGE OF INFORMATION. AND I WAS JUST, LIKE, OH, MY GOSH. YEAH, DON'T MAKE R.F.P.s THE WAY THEY ARE RIGHT NOW. [ Laughter ] I'M WORKING WITH M.M.D. ON THAT ONE, OKAY. >> I'VE SEEN THAT ONE AS A VENDOR. >> Tanya: YES. EXACTLY. >> YEAH. >> Tanya: YOU'RE KIND OF LIKE, WHAT DO THEY WANT? WHERE SHOULD I RESPOND? >> Ken: YOU SHOULD SEE SOME OF THE FEDERAL R.F.P.s THAT COME OUT. >> Tanya: IT'S, LIKE, RIDICULOUS. TOTALLY. ANYWAYS. PRINCIPLE 9, ADD A MEANINGFUL DESCRIPTION TO HYPERLINKS. LIKE WE WERE DESCRIBING IN THE -- WHEN WE WERE TALKING ABOUT SCREEN READERS AND THAT YOU CAN PULL UP ALL THE LISTS OF THE LINKS, LISTS OF THE TABLES, WELL, MOST PEOPLE USUALLY SAY CLICK HERE, YOU KNOW, INSERT THE HYPERLINK, CLICK HERE, WELL, IF I'M PULLING UP A LIST, AND I'LL SAY CLICK HERE, WHAT GOOD IS THAT? KEN SAID HE WANTS TO BE ABLE TO USE ALL OF HIS TOOLS, AND TO BE HONEST, YOU SHOULD BE ABLE TO USE ALL OF YOUR TOOLS. AND, SO, WE CAN BE MORE THOUGHTFUL ABOUT HOW WE LABEL, YOU KNOW, SAY, IF IT'S, LIKE, IF -- AND, IN FACT, YOU CAN EVEN ADD A LITTLE -- YOU CAN SAY, LET'S SAY I'M GOING TO DIRECT YOU TO SOCIAL SECURITY ADMINISTRATION'S WEBSITE. SO, CLICK HERE. INSTEAD OF SAYING THAT, CLICK SOCIAL SECURITY ADMINISTRATION'S WEBSITE, AND THEN YOU CAN EVEN ADD A LITTLE -- AN EXTRA DETAIL THROUGH THE SCREEN TAB, HOME PAGE, OR CERTAIN PAGE SO, THAT THE PERSON KNOWS WHERE THEY'RE GOING BECAUSE THEY'RE GOING TO LEAVE THE DOCUMENT, THEY WANT TO KNOW WHERE THEY'RE GOING. SO THAT'S VERY IMPORTANT. >> Collette: I'M JUST GOING TO ADD ONE THING TO THAT. WHEN YOU DO YOUR HYPERLINK IN WORD, MAKE SURE YOU PUT THE HTTP IN FRONT OF OR HTTPS BECAUSE IF YOU DON'T, WHEN YOU TRANSFER IT FOR P.D.F., IT WILL SHOW UP AS A HYPERLINK. BUT IT WON'T SHOW UP AS, IF I DO CONTROL TO SHOW MY LIST OF LINKS, SO I GO FROM LINK TO LINK TO LINK, IT WON'T SHOW ON THAT LIST BECAUSE IT DOESN'T HAVE THE HTTP AHEAD OF IT. SO MAKE SURE YOU PUT HTTP IN FRONT OF IT, DON'T PUT DUB DUB DUB, PUT HTTP IN FRONT OF IT SO IT TRANSFERS. >> Ken: ONE MORE THING. WHEN YOU EMBED LINKS THAT DON'T HAVE THE ACTUAL ADDRESS THAT YOU'RE GOING TO, YOU'VE TAKEN -- IF THERE'S A PROBLEM, FOR WHATEVER REASON, AND LORD KNOWS THERE COULD BE MANY DIFFERENT KINDS OF PROBLEMS, BUT IF I CLICK ON SOMETHING THAT I DON'T KNOW WHERE I'M CLICKING TO, AND I RUN INTO A PROBLEM, I HAVE NO WAY OF GETTING THERE OR TRY AND FIGURE OUT WHERE I'M SUPPOSED TO GO. I KNOW THERE'S PROBABLY AN ARGUMENT TO BE MADE FOR MAKING THINGS NICE AND NEAT AND SLICK, BUT IF YOU REALLY WANT SOMEBODY TO GET SOMEWHERE, THEY NEED THE ADDRESS. >> Collette: AND IT ALSO HELPS IF I PRINT THE DOCUMENT. IF I PUT -- IF I PUT THE NAME OF THE DOCUMENT AND I UNDERLINE IT, HYPERLINK, THEN IN PARENTHESIS AFTERWARDS, PUT THE WHOLE ADDRESS SPELLED OUT, I THINK THAT'S WHAT KEN MEANS. >> Ken: YEAH. >> Collette: BECAUSE IF I PRINTED THE DOCUMENT, USERS PRINTED THE DOCUMENT, THEY DON'T WANT TO GO BACK TO THE WEBSITE, PULL UP THE DOCUMENT JUST TO FIND OUT WHERE THAT LINK WENT. IF YOU'VE GOT IT THERE, THEY CAN TYPE IT IN. >> Tanya: SO YOU PRINTED IT OFF, THEN YOU WENT TO THE MEETING, IT SAID CLICK HERE ON THE THING, AND IT'S JUST PAPER, SO, WHERE ARE YOU GOING TO GO? SO YOU'RE SAYING, PUT THE FULL ADDRESS. >> Collette: PUT THE FULL ADDRESS AFTERWARDS IN PARENTHESIS. YOU CAN HOTLINK SOMETHING BUT PUT THE FULL ADDRESS AFTERWARDS. >> TALKING ON A WEB PAGE OR WORD? >> Collette: BOTH. >> WE WERE JUST TOLD THAT'S AGAINST STANDARDS, THAT WE SHOULD NOT BE LINKING, YOU KNOW, U.R.L. ADDRESSES AT ALL. THAT WE SHOULDN'T HAVE THEM ON OUR PAGES. >> Collette: I WOULDN'T KNOW WHAT STANDARD THAT WOULD BE BREAKING. IF IT IS, I'D LIKE TO KNOW SO WE STOP DOING IT. >> IT'S PROBABLY JUST YOUR AGENCY STYLE. >> Collette: YEAH. IF IT'S GOING TO AN OUTSIDE ELEMENT, WE ALWAYS LINK IT TO A NEW PAGE, YOU KNOW, A NEW WINDOW. >> WELL, IT'S THE WHOLE -- THE LINK SHOULD MATCH THE LANDING PAGE TEXT. AND THAT'S WHAT THEY'VE BEEN HAVING US DO IS TAKE OFF OUR HTTP ADDRESSES AND HAVE JUST THE TEXT, THE LANDING PAGE, SAY THE TITLE ON THE LANDING PAGE. >> Collette: YOU'RE TALKING ABOUT RELATIVE OR LINK? YOU'RE CORRECT IN WHAT YOU'RE DOING. THIS IS DIFFERENT. IF I'M -- IF I HAVE A DOCUMENT LIKE IF I HAVE A DOCUMENT ABOUT ACCESSIBILITY AND I WANT TO REFERENCE -- ON THE WEB AS CONTENT AS HTML AND I WANT TO REFERENCE THE SOCIAL SECURITY ADMINISTRATION'S WEBSITE, I WANT TO PUT SOCIAL SECURITY ADMINISTRATION'S WEBSITE UNDERLINE AND THEN IN PARENTHESIS AFTERWARDS, PUT IN THE ACTUAL ADDRESS TO IT. >> OKAY. >> Collette: RIGHT. I THINK WHAT YOU'RE TALKING IS, THE HTTP, YOU'RE TALKING ABOUT RELATIVE LINKS WITHIN YOUR WEBSITE. THAT'S A LITTLE -- YOU'RE DOING CORRECT WITH WHAT THEY'RE TELLING YOU TO DO IN THAT RESPECT. WHAT WE'RE TALKING ABOUT IS LINKING TO DOCUMENTS OR LINKING TO OTHER WEBSITES AND STUFF. MAKE SURE YOU PUT THE WHOLE ADDRESS IN. >> Tanya: OKAY. I THINK I WILL JUST PRETTY MUCH PASS UP ON P.D.F. AND ACCESSIBILITY AND YOU CAN LOOK AT IT IN THE SLIDE LATER. AND SOME GENERAL STEPS TO CONVERTING TO P.D.F. THEY'RE GENERAL, THEY REQUIRE LITTLE STEPS IN BETWEEN AND A LOT IN BETWEEN. AND, OF COURSE, I COULD COME NEXT MEETING IF YOU GUYS WANT ME TO COME BACK AND, OF COURSE, I'M GOING TO BRING MY EXPERTS HERE. AND WE CAN GO OVER P.D.F. ISSUES AND, YOU KNOW, HOW TOs AND WHATNOT, MAYBE IN BETWEEN TIME COLLECT SOME INFORMATION FOR YOU GUYS, MAYBE THROUGH A SURVEY OF WHAT YOU REALLY HAVE QUESTIONS ON AND PREPARE. I THINK THAT WOULD BE A GOOD USE OF TIME, IF YOU GUYS WANT US TO COME BACK ON THAT. AND, LIKE I SAID, I THINK THE SOCIAL SECURITY ADMINISTRATION IS -- THEY HAVE AN EXCELLENT RESOURCE. I MEAN, IT'S LIKE 100 PAGES. BUT IT HAS EVERYTHING IN HOW TO DO IT. HOW TO TEST IT. >> Ken: CAN I JUST ADD ONE MORE? JUST ONE QUICK THING. WITH P.D.F.s, WHENEVER YOU MAKE P.D.F.s, THEY NEED TO BE ACCESSIBLE. BUT IF YOU HAVE ONLY A P.D.F., AND YOU'RE REFERRING TO A DOCUMENT, YOU ALSO NEED A TEXT-BASED DOCUMENT IN ORDER TO BE COMPLETELY COMPLIANT. >> CAN I ASK YOU A QUESTION ON THAT, KEN? >> Ken: YEAH. >> SO IF YOU REALLY HAVE TRULY MADE A FULLY ACCESSIBLE P.D.F. DOCUMENT, WHY DO YOU NEED THAT? >> Ken: BECAUSE I MIGHT BE USING AN ASSISTIVE DEVICE THAT DOESN'T -- I CANNOT USE P.D.F.s, PERIOD. SO I HAVE NO WAY -- >> LIKE THAT BRAILLE DEVICE YOU SHOWED US EARLIER? >> Ken: EXACTLY. AND THAT'S JUST ONE -- I MEAN, THERE ARE TONS OF ACCESSIBLE DEVICES THAT MOST PEOPLE USE THAT DON'T HAVE ANY MEANS OF OPENING A P.D.F. IT'S A PROPRIETARY PIECE OF SOFTWARE. AND, SO, UNLESS YOU HAVE THE TOOL TO BE ABLE TO OPEN IT UP, YOU CAN'T OPEN IT. SO, YOU NEED -- THAT'S WHY THE LAW, THE FEDERAL LAW, A.D.A., SAYS, YOU MUST HAVE A TEXT-BASED DOCUMENT. NOW, IF YOU USE ONLY A TEXT-BASED DOCUMENT, THAT'S ALL YOU NEED. BUT IF YOU USE P.D.F.s, IT HAS TO BE ACCESSIBLE P.D.F. AND YOU NEED AN ACCESSIBLE TEXT-BASED DOCUMENT. >> THIS IS REALLY A WHOLE OTHER CAN OF WORMS. >> Ken: IT IS, BUT THAT'S WHAT THE LAW SAYS. >> Collette: M.M.B. PUTS EVERYTHING UP IN BOTH NATIVE FORMAT AND P.D.F. FORM. >> Ken: IF YOU LOOK AT THE A.D.A. WEBSITE OR THE DEPARTMENT OF JUSTICE WEBSITE, THEY HAVE BOTH AS WELL, THEY HAVE P.D.F.s AND WORD DOCUMENTS FOR EVERY LINK DOCUMENT. THEY HAVE ONE TO EACH. THAT'S WHAT THE LAW SAYS. >> Tanya: SO, JED, YOU JUST SAID THAT OPENS UP A CAN OF WORMS, THAT'S WHY I'M SO GLAD YOU'RE WORKING WITH ME ON OUR TEAM, I INVITE ALL YOU GUYS TO HELP US FIGURE OUT HOW TO APPROACH -- THE BEST WAY FOR AGENCIES TO APPROACH ADDRESSING THIS ISSUE BECAUSE WE NEED TO MOVE FORWARD WITH IT, BUT WE NEED TO FIGURE OUT WHAT ARE THE BEST STRATEGIES TO DO THAT. YES. QUESTIONS. MOLLY. MOLLY: THIS IS JUST A QUICK ANNOUNCEMENT. YOU AND I HAD TALKED MAYBE A MONTH AGO OR SO WHEN WE WERE GETTING ALL OF THIS READY THAT YOU HAD POTENTIALLY SOME MORE INFORMATION THAT WE COULD MAYBE DO ANOTHER INTERSECT MEETING WITH. AND, SO, WE'RE CONSIDERING THAT FOR OUR FEBRUARY 9th MEETING, EVERYONE. JUST WANT TO KIND OF GIVE YOU A HEADS-UP ON THAT. TANYA, YOU AND I CAN TALK ABOUT THAT AND SEE WHAT THAT WOULD ENTAIL FOR YOU. >> Tanya: I WOULD DEFINITELY COME. THAT'S WHAT I WAS TALKING TO YOU ABOUT, IF YOU WANT US TO COME THE NEXT ONE OR A DIFFERENT ONE, TO MAYBE EVEN KIND OF SURVEY YOU GUYS AND DO A QUICK SURVEY TO GET WHAT YOUR MAIN QUESTIONS ARE SO WE CAN PREPARE AND FOCUS THE DISCUSSION AROUND THAT. SPECIFICALLY PROBABLY ON THE TOPIC OF P.D.F. YES. >> I THINK TO THAT END, ONE OF THE THINGS THAT MIGHT BE QUITE USEFUL IS IN OUR AGENCY, FOR INSTANCE, WE CREATE, IN ANY GIVEN YEAR, THOUSANDS OF PAGES OF DOCUMENTS THAT ARE AVAILABLE ON OUR WEBSITE. THOSE ARE NOT CREATED BY OUR WEB TEAM. THEY ARE NOT MANAGED BY OUR WEB TEAM. AND IT WOULD BE IMPOSSIBLE FOR OUR WEB TEAM TO MAKE THOSE DOCUMENTS ACCESSIBLE. I MEAN, JUST THE VOLUME OF IT VERSUS THE AMOUNT OF STAFF THAT WE HAVE. AND, SO, FROM A PROCESS STANDPOINT, I THINK AS OUR AGENCIES GO ALONG HERE, I THINK THAT ONE OF THE THINGS THAT WE WOULD BE REALLY INTERESTED IN UNDERSTANDING, IS HOW AGENCIES ARE GOING TO SET UP THE PROCESS TO TRAIN THEIR ADMIN STAFF TO CREATE ACCESSIBLE DOCUMENTS FROM THE FIRST -- FROM THE GET-GO, TO PROVIDE -- SO, TO PROVIDE THEM THE TRAINING, PROVIDE THEM THE TOOLS SO -- AND A UNIFORM SET OF UNDERSTOOD REGULATIONS OR A UNIFORM SET OF TEMPLATES FOR DOING IT, SO THAT, YOU KNOW, WHERE WORD DOCS ARE CONCERNED, YOU KNOW, ANY DOCUMENT GENERATED BY A STATE AGENCY IS COMING FROM AN ADMIN STAFF THAT HAS BEEN GIVEN THE SAME TOOLS, THE SAME TRAINING, THE SAME UNDERSTANDING OF HOW TO DO IT, THE SAME GUIDELINES, SO BY THE TIME IT MOVES TO A WEBSITE SOMEPLACE WHERE IT HAS TO BE DELIVERED TO SOMEBODY, IT'S ALREADY ACCESSIBLE BECAUSE I THINK WITHOUT THAT, EVEN IN OUR OWN AGENCY TO COMPLY EVEN SCANTILY WITH THE LAW WOULD BE IMPOSSIBLE. >> Tanya: EVERYBODY IS DEALING WITH THAT DILEMMA. >> FROM AN O.E.T. STANDPOINT, I THINK, YOU KNOW, YOU LOOK AT NOT JUST THE TECHNOLOGY OF THIS BUT THE LOGISTICS OF ACTUALLY GETTING IT DONE. >> Tanya: OF COURSE, YUP. I WAS ALLUDING TO THAT AT THE BEGINNING, TALKING ABOUT AGENCY LEVEL IMPLEMENTATION. AT THE AGENCY LEVEL, BECAUSE WE'VE ALREADY BEEN DOING A LOT OF WORK ON FIGURING OUT WHAT THE STANDARDS ARE, NOW THIS WHOLE OTHER WORK OF FIGURING OUT HOW TO TRANSITION TOWARDS. AND THAT REQUIRES AN ASSESSMENT, THAT REQUIRES AN UNDERSTANDING OF HOW IT APPLIES TO YOUR ENTIRE ORGANIZATION, IT REQUIRES IDENTIFICATION OF THE TRAINING NEEDS, IT REQUIRES A PRIORITIZATION OF WHAT CAN BE DONE IN THE SHORT TERM AND LONG TERM AND WHAT CAN'T BE DONE AT ALL. UNTIL THE NEXT ROUND OF SOMETHING, YOU KNOW. AND WHEN I SAY THIS, I'M NOT JUST TALKING ABOUT DOCUMENTS. ALTHOUGH DOCUMENTS AND P.D.F.s, THOSE ARE THE BIG ELEPHANT IN THE ROOM AND THOSE ARE THE HUGE -- RIGHT NOW EVERY AGENCY IS OUT OF COMPLIANCE SAY THEY HAVE TO BE COMPLIANT TODAY, YOU KNOW. AND, SO, THE REALITY IS THAT WE ARE MOVING FORWARD AND THERE NEEDS TO BE A WINDOW OF TRANSITION AND SOME KIND OF, LIKE, I CAN SEE MYSELF AS COMING OUT WITH OTHERS TO HELP CONSULT AGENCIES ON THE DEVELOPMENT OF THEIR OWN INTERNAL PLAN, WHAT ARE THEIR INTERNAL PROCESSES, WHERE DO THEY DRAW LINES, YOU KNOW, HOW DO THEY PRIORITIZE, IS IT WEB FIRST OR WHAT. >> BUT THAT'S EXACTLY WHAT WE NEED BECAUSE OTHERWISE WE'RE GOING TO SPEND ALL OF OUR TIME READING THAT SAME DOCUMENT IN HOWEVER MANY STATE AGENCIES AND WE'RE GOING TO KEEP DOING THE SAME THING OVER AND OVER AND -- >> Ken: YOU NEED A ROAD MAP. >> EXACTLY. WE NEED A LEADER IN THIS. >> Tanya: AND, SO, I'VE BEEN CONVENING SOME INDIVIDUALS RIGHT NOW. LIKE I SAY, PLEASE JOIN ON BECAUSE THE MORE WE UNDERSTAND WHAT WE'RE DEALING WITH AND THE MORE WE CAN DO TO HELP EACH OTHER FIGURE OUT THE BEST WAY TO MOVE FORWARD, AND WITHOUT -- NOT FEELING TONS OF PRESSURE ABOUT THE RISK, YOU KNOW, JUST BEING REALISTIC ABOUT WHAT WE CAN DO AND WHAT WE NEED TO DO GOING FORWARD AND PUTTING TOGETHER SOME TYPE OF STEPS AND TIMELINE TO DO THAT AND THEN EVERYBODY KNOWS, LIKE KEN SAID, THAT WOULD BE A ROAD MAP. I THINK THAT'S THE BEST WAY TO APPROACH IT. I THINK IT'S -- OF COURSE, THAT'S A NECESSARY NEXT STEP. LIKE I SAID, THIS IS A PROCESS. THIS PRESENTATION IS THE BEGINNING OF A PROCESS. THERE WILL BE SOME TRAININGS AND WE'RE WORKING ON THAT. WE'RE GOING TO LEARN MORE. AND I CAN CONTINUE TO LEARN MORE AND MORE AND MORE ABOUT THESE LITTLE NUANCES AND TECHNOLOGY AND LITTLE GLITCHES ANYWAYS. IT IS WHAT IT IS. AND AGENCIES WILL NEED TO DEVELOP PLANS AND POLICIES ON HOW THEY WILL IMPLEMENT THE DOCUMENT ACCESSIBILITY. AND THE WEBSITE AND APPLICATIONS AND EVERYTHING, TOO. KEN. >> Ken: ONE LAST WORD HERE. I THINK YOU GUYS NEED TO ALSO TAKE A LITTLE BIT OF TIME AND CONGRATULATE YOURSELF AND BE PROUD OF THE ACCOMPLISHMENTS THAT YOU HAVE MADE. YOU GUYS HAVE MADE SOME INCREDIBLE CHANGES, SOME -- YOU'VE EMBRACED THE CHANGES THAT HAVE BEEN THRUST UPON YOU, AND YOU'VE BEEN, INSTEAD OF FIGHTING THEM, YOU'VE BEEN SAYING, HOW DO WE DO THIS? AND YOU'VE BEEN WILLINGLY WANTING TO LEARN HOW TO DO THAT. AND I REALLY APPLAUD YOU FOR THAT. AND I WANT YOU TO FEEL PROUD OF THAT. YOU GUYS HAVE REALLY DONE AN INCREDIBLE JOB. AND I THINK IT'S STARTING TO REALLY SHOW UP IN A LOT OF OUR DAY-TO-DAY WORK THAT I ENCOUNTER, AND I'M STARTING TO HEAR IT FROM COLLEAGUES FROM OTHER STATES THAT THEY ARE SO FAR BEHIND US THAT THEY ENVY US BECAUSE OF WHAT SOME OF THE PIECES WE HAVE IN PLACE THAT ARE ONLY GOING TO MAKE THINGS BETTER. SO, THANK YOU FOR EMBRACING THE CHANGES AND MOVING FORWARD. AND CELEBRATE THAT. YOU'VE DONE A LOT OF WORK. >> Collette: AND WE ARE THE ONLY STATE RIGHT NOW DOING THIS. >> Tanya: WHAT'S THAT, MOLLY? >> I JUST WANTED TO SAY THANK YOU TO YOU, TANYA, OF COURSE, AND KEN AND JAMIE AND COLLETTE, TOO, WE REALLY APPRECIATE YOUR TIME. >> Collette: AND I HAVE BUSINESS CARDS, IF ANYBODY WANTS -- HAS QUESTIONS, THEY CAN CONTACT ME. I HAVE TO TELL YOU, IF I'M BUSY, I WON'T HELP. [ Laughter ] BUT I'M NEVER BUSY. >> Tanya: I'VE BEEN SENDING EVERYBODY TO COLLETTE. EVEN IN OUR AGENCY, WE'RE SENDING PEOPLE TO COLLETTE. I MEAN, IT'S JUST A REALITY. YOU DON'T KNOW WHAT YOU DON'T KNOW UNTIL YOU KNOW OR SOMETHING LIKE THAT. DID YOU HAVE A QUESTION? >> NO. I'M JUST KIND OF PONDERING WHAT THEY WERE SAYING AND THINKING ABOUT HOW IMPORTANT IT IS, BECAUSE THIS IS A STATEWIDE DIRECTIVE THAT WE HAVE A STATEWIDE INFRASTRUCTURE RATHER THAN OUR AGENCY, YOU KNOW, SCRAMBLING TO DO OUR THING, AND THIS OTHER AGENCY. I MEAN, IT JUST DOESN'T MAKE SENSE FROM A RESOURCE STANDPOINT TO HAVE EVERYBODY KIND OF DOING THAT -- [ INAUDIBLE ] OBVIOUSLY NOT EVERYBODY CAN GO TO COLLETTE. >> Tanya: NO, AND THEY WON'T. BUT IT'S A PROCESS. >> IT SEEMS LIKE IT WOULD BE GOOD TO HAVE THE PROCESS IN PLACE BEFORE THEY MADE THE POLICY. >> Tanya: THEY DON'T. BECAUSE IT'S ALL AT THE AGENCY LEVEL. EVERY AGENCY DOES THINGS DIFFERENTLY AND THEY HAVE DIFFERENT STRUCTURE.